{"id":403,"date":"2019-05-20T09:51:41","date_gmt":"2019-05-20T12:51:41","guid":{"rendered":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/desenho-industrial\/?page_id=403"},"modified":"2019-05-20T09:56:57","modified_gmt":"2019-05-20T12:56:57","slug":"festival-de-projetos-interativos","status":"publish","type":"page","link":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/desenho-industrial\/festival-de-projetos-interativos","title":{"rendered":"Festival de Projetos Interativos"},"content":{"rendered":"\t\t
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Abertura dia 20\/06<\/p>\n

11h20min<\/p>\n

Visita\u00e7\u00e3o dias 20, 21 e 22\/06<\/p>\n

das 9h \u00e0s 12h e das 14h \u00e0s 17h<\/p>\n

Sala Cl\u00e1udio Carriconde CAL\/ Pr\u00e9dio 40<\/p>\n

Esse festival de projetos interativos traz obras, projetos e trabalhos com foco nos seguintes aspectos:<\/p>\n

MEM\u00d3RIA\u00a0<\/span>– dos memes de Richard Dawkins, da biologia, repetidores de c\u00f3digos de c\u00e9rebro em c\u00e9rebro, aos museus mantenedores da cultura, da arte e da hist\u00f3ria dos povos, as imagens se disseminam e sobrevivem ao tempo, para al\u00e9m das categorias fechadas em campos de conhecimento isolados.\u00a0 \u00c9 assim que Apps, games e imagens em movimento carregam aspectos da hist\u00f3ria enquanto ampliam as conex\u00f5es peer-to-peer.<\/p>\n

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IMAGENS SOBREVIVENTES<\/span>\u00a0– do campo da filosofia, Georges Didi-Huberman segue a linha de Aby Warburg e defende que a hist\u00f3ria da arte \u00e9 a hist\u00f3ria da imagem sobrevivente, dos fantasmas que oportunizam contar a mesma a partir do anacronismo, ou seja, sempre diante da imagem estamos diante do tempo. Obras de artistas como Da Vinci, Klee, Bosch, Vang Gogh, s\u00e3o revisitadas, assim como games cl\u00e1ssicos dos anos 1980, Top Gear, Frog, PacMan e ainda as hist\u00f3rias que contamos, dos irm\u00e3os Grimm e Lewis Carroll \u00e0s hist\u00f3rias que j\u00e1 fazem parte do imagin\u00e1rio coletivo dos povos. Mas h\u00e1 sempre um novo modo de contar, jogar, observar, agir.<\/p>\n

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NEUROART HISTORY<\/span>\u00a0– John Onians, que traz a neuroci\u00eancia e a neuroest\u00e9tica para a hist\u00f3ria da arte, permite-nos entender a arte a partir das experi\u00eancias est\u00e9ticas, das sensa\u00e7\u00f5es e percep\u00e7\u00f5es. Desse modo, a uni\u00e3o da arte, com a ci\u00eancia e a tecnologia, expande os limites dos museus e institui\u00e7\u00f5es mantenedoras de um sistema art\u00edstico, circulando pela ind\u00fastria dos jogos ou pelos est\u00fadios indies, misturando-se \u00e0 m\u00fasica eletr\u00f4nica e ao cinema experimental, cruzando por outras realidades ou engajando-se politicamente. \u00c9 em uma perspectiva est\u00e9tica, cr\u00edtica, po\u00e9tica e engajada que designers, artistas e tecnocientistas se conectam nos projetos expostos por meio de QR Codes nesse festival. Venha desvendar e construa um background de experi\u00eancias!<\/p>\n

Confira tamb\u00e9m a\u00a0<\/span>Mostra FullDome<\/span><\/a>,<\/span>\u00a0no Planet\u00e1rio\/UFSM.<\/p>\n

Solim\u00e1n Lopez <\/a>HARDDISKMUSEUM, 2015<\/p>\n

1magin\u00e1ri0<\/a> MAQUIN\u00c1RIO SONORO DE KLEE, 2012<\/p>\n

Burrell Durrant Hiffle<\/a> BOSCH VR, 2016<\/p>\n

Imgnation<\/a> MACHADOBOL, 2014<\/p>\n

Baobad Studios INVASION! SNEAK\u00a0 PEEK, 2016<\/p>\n

Ana Ribeiro <\/a>PIXEL RIPPED , 2015<\/p>\n

Ustwo<\/a> MONUMENT VALLEY, 2014<\/p>\n

Lucas Junqueira<\/a> A CIDADE DOS QUE DESCEM PELA ESCADA, 2015<\/p>\n

Black River<\/a> Studios FINDING MONSTERS ADVENTURE, 2016<\/p>\n

Disney<\/a> CROSSY ROAD, 2016<\/p>\n

Aquiris<\/a> HORIZON CHASE, 2015<\/p>\n

Bengigi<\/a> CORRA VACA, CORRA, 2015<\/p>\n

Ubisoft Entertainment<\/a> VALIANT HEARTS, 2014<\/p>\n

Rasheed Abueideh<\/a> LIYLA AND THE SHANDOWS OF WAR, 2016<\/p>\n

Matilde Inc<\/a> ARART, 2013<\/p>\n

Polytron<\/a> FEZ,2007<\/p>\n

Edgar Franco e Bruno Mendon\u00e7a<\/a> POSTHUMAN\u00a0 Ms. PACMAN, 2012<\/p>\n

Amanita Design<\/a> BOTANICULA, 2012<\/p>\n

Matheus Moreno Transhabitat em RA, 2016<\/p>\n

Niantic Ingress<\/a>, 2012<\/p>\n

Borrowed Light<\/a> VR THE NIGHT CAF\u00c9, 2016<\/p>\n

Dontnod LIFE IS STRANGE<\/a>, 2015<\/p>\n

Obium SOAR, 2014<\/p>\n

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Jenova Chen FLOW, 2006<\/p>\n<\/div>\n<\/div>\n

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Dia 21\/06 - Mesa Audiovisual e\n\nCultura Digital\n\n(Danielle Difante Pedrozo)<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Dia 21\/06 - Mesa Audiovisual e\n\nCultura Digital\n\n(Henrique Roscoe)<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Dia 22\/06 - Mesa Jogos, RV e Imers\u00e3o (Pablo Gobira)<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Dia 22\/06 - Mesa Cultura Maker, Sustentabilidade e Dispositivos Conectados\n\n(Fred Paulino)<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Dia 22\/06 - Mesa Acervos, Museus e Preserva\u00e7\u00e3o Digital (Tadeus Mucelli -Tee)<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Abertura dia 20\/06 11h20min Visita\u00e7\u00e3o dias 20, 21 e 22\/06 das 9h \u00e0s 12h e das 14h \u00e0s 17h Sala Cl\u00e1udio Carriconde CAL\/ Pr\u00e9dio 40 Esse festival de projetos interativos traz obras, projetos e trabalhos com foco nos seguintes aspectos: MEM\u00d3RIA\u00a0– dos memes de Richard Dawkins, da biologia, repetidores de c\u00f3digos de c\u00e9rebro em c\u00e9rebro, […]<\/p>\n","protected":false},"author":115,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-403","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/desenho-industrial\/wp-json\/wp\/v2\/pages\/403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/desenho-industrial\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/desenho-industrial\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/desenho-industrial\/wp-json\/wp\/v2\/users\/115"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/desenho-industrial\/wp-json\/wp\/v2\/comments?post=403"}],"version-history":[{"count":0,"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/desenho-industrial\/wp-json\/wp\/v2\/pages\/403\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/desenho-industrial\/wp-json\/wp\/v2\/media?parent=403"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/desenho-industrial\/wp-json\/wp\/v2\/categories?post=403"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/desenho-industrial\/wp-json\/wp\/v2\/tags?post=403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}