{"id":1354,"date":"2026-08-04T11:14:56","date_gmt":"2026-08-04T14:14:56","guid":{"rendered":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/?post_type=eventos&#038;p=1354"},"modified":"2026-08-12T19:43:41","modified_gmt":"2026-08-12T22:43:41","slug":"ii-seminario-de-pesquisa-em-musica-da-ufsm","status":"publish","type":"eventos","link":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/eventos\/ii-seminario-de-pesquisa-em-musica-da-ufsm","parent":0,"template":"","tags":[],"class_list":["post-1354","eventos","type-eventos","status-publish","has-post-thumbnail","hentry"],"acf":{"evento_nome":"II Semin\u00e1rio de Pesquisa em M\u00fasica da UFSM","evento_inicio":"13\/08\/2026 09:00","evento_termino":"14\/08\/2026 17:00","evento_banner":{"ID":1355,"id":1355,"title":"II SEMINA\u0301RIO PESQUISA MU\u0301SICA -banner","filename":"II-SEMINARIO-PESQUISA-MUSICA-banner.jpg","filesize":105645,"url":"https:\/\/www.ufsm.br\/app\/uploads\/sites\/485\/2026\/08\/II-SEMINARIO-PESQUISA-MUSICA-banner.jpg","link":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/eventos\/ii-seminario-de-pesquisa-em-musica-da-ufsm\/ii-seminario-pesquisa-musica-banner","alt":"","author":"2572","description":"","caption":"","name":"ii-seminario-pesquisa-musica-banner","status":"inherit","uploaded_to":1354,"date":"2026-08-04 14:12:29","modified":"2026-08-04 14:12:29","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-includes\/images\/media\/default.png","width":1584,"height":586,"sizes":{"thumbnail":"https:\/\/www.ufsm.br\/app\/uploads\/sites\/485\/2026\/08\/II-SEMINARIO-PESQUISA-MUSICA-banner-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.ufsm.br\/app\/uploads\/sites\/485\/2026\/08\/II-SEMINARIO-PESQUISA-MUSICA-banner-300x111.jpg","medium-width":300,"medium-height":111,"medium_large":"https:\/\/www.ufsm.br\/app\/uploads\/sites\/485\/2026\/08\/II-SEMINARIO-PESQUISA-MUSICA-banner-768x284.jpg","medium_large-width":768,"medium_large-height":284,"large":"https:\/\/www.ufsm.br\/app\/uploads\/sites\/485\/2026\/08\/II-SEMINARIO-PESQUISA-MUSICA-banner-1024x379.jpg","large-width":1024,"large-height":379,"1536x1536":"https:\/\/www.ufsm.br\/app\/uploads\/sites\/485\/2026\/08\/II-SEMINARIO-PESQUISA-MUSICA-banner-1536x568.jpg","1536x1536-width":1536,"1536x1536-height":568,"2048x2048":"https:\/\/www.ufsm.br\/app\/uploads\/sites\/485\/2026\/08\/II-SEMINARIO-PESQUISA-MUSICA-banner.jpg","2048x2048-width":1584,"2048x2048-height":586,"sow-carousel-default":"https:\/\/www.ufsm.br\/app\/uploads\/sites\/485\/2026\/08\/II-SEMINARIO-PESQUISA-MUSICA-banner-272x182.jpg","sow-carousel-default-width":272,"sow-carousel-default-height":182}},"endereco_url":"ii-seminario-de-pesquisa-em-musica-da-ufsm","evento_categoria":"T\u00c9CNICO-CIENT\u00cdFICOS","evento_descricao":"<p>Nos dias 13 e 14 de agosto de 2026, a UFSM promove o <strong>II Semin\u00e1rio de Pesquisa em M\u00fasica da UFSM<\/strong>, com o\u00a0 tema &#8220;Pesquisa, Pr\u00e1xis e Identidade: A Consolida\u00e7\u00e3o do Fazer Musical na P\u00f3s-Gradua\u00e7\u00e3o Stricto Sensu&#8221;. O evento busca alinhar as reflex\u00f5es entre a investiga\u00e7\u00e3o acad\u00eamica e a pr\u00e1tica art\u00edstica, consolidando uma produ\u00e7\u00e3o coletiva essencial para a implanta\u00e7\u00e3o do futuro Mestrado Profissional em M\u00fasica da institui\u00e7\u00e3o. Realizado pela Comiss\u00e3o de Cria\u00e7\u00e3o do Mestrado em parceria com a coordena\u00e7\u00e3o do curso de Especializa\u00e7\u00e3o em M\u00fasica da UFSM, o semin\u00e1rio contar\u00e1 com palestras, comunica\u00e7\u00f5es e recitais, sendo um convite \u00e0 comunidade do CAL, especialmente discentes e egressos, para discutir as diretrizes e o impacto transformador deste novo curso na universidade.<\/p>\n<p>&nbsp;<\/p>\n<p>Coordena\u00e7\u00e3o Geral: Prof. Dr. Arthur Rinaldi e Prof. Dr. Glaubert N\u00fcske.<\/p>\n<p>&nbsp;<\/p>\n<p>Palestrantes convidados:<br \/>\n<strong>Bibiana Bragagnolo<\/strong> (MUSPROF\/UFMT)<br \/>\n<strong>Guilherme Sauerbronn<\/strong> (PPGMUS\/UDESC)<\/p>\n","evento_programacao":"<p><span style=\"font-size: 18pt\"><strong>PROGRAMA\u00c7\u00c3O GERAL<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 14pt\"><strong>13\/08\/2026<\/strong><\/span><\/p>\n<p>9h00 \u2013 Abertura do Evento<\/p>\n<p>9h30 \u2013 Comunica\u00e7\u00f5es<\/p>\n<p>12h00 \u2013 Intervalo (almo\u00e7o)<\/p>\n<p>14h00 \u2013 Mesa redonda: <strong>Experi\u00eancias e Diretrizes na P\u00f3s-Gradua\u00e7\u00e3o em M\u00fasica<\/strong>.<\/p>\n<p style=\"padding-left: 80px\">Integrantes: Bibiana Bragagnolo, Guilherme Sauerbronn e Arthur Rinaldi.<\/p>\n<p style=\"padding-left: 80px\">Media\u00e7\u00e3o: Glaubert N\u00fcske.<\/p>\n<p>15h00 \u2013 Comunica\u00e7\u00f5es<\/p>\n<p>17h00 \u2013 Coffee break<\/p>\n<p>18h30 \u2013 Recital | Lan\u00e7amento da S\u00e9rie <strong>Aplauso<\/strong><\/p>\n<p style=\"padding-left: 80px\">Marcos Kr\u00f6ning Corr\u00eaa, viol\u00e3o<\/p>\n<p style=\"padding-left: 80px\">Diego Ramires, trombone,<\/p>\n<p style=\"padding-left: 80px\">Taiur Fontana, piano<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 14pt\"><strong>14\/08\/2026<\/strong><\/span><\/p>\n<p>9h00 \u2013 Palestra | Guilherme Sauerbronn: <strong>An\u00e1lise da Sonatina 1956 para Piano de Ernst Mahle<\/strong><\/p>\n<p>10h00 \u2013 Comunica\u00e7\u00f5es<\/p>\n<p>12h00 \u2013 Intervalo (almo\u00e7o)<\/p>\n<p>14h00 \u2013 Palestra | Bibiana Bragagnolo: <strong>Pesquisa Art\u00edstica em M\u00fasica: vozes e pr\u00e1ticas na Am\u00e9rica Latina<\/strong> (Aula inaugural da 6a Turma da PG -Especializa\u00e7\u00e3o em M\u00fasica da UFSM)<\/p>\n<p>15h30 \u2013 Espa\u00e7o para lan\u00e7amentos (bibliogr\u00e1ficos e fonogr\u00e1ficos)<\/p>\n<p>16h00 \u2013 Encerramento<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 18pt\"><strong>CRONOGRAMA DAS COMUNICA\u00c7\u00d5ES<\/strong><\/span><\/p>\n<p><span style=\"font-size: 18pt\"><strong>Dia 13 (manh\u00e3 &#8211; 9h30 \u00e0s 12h00)<\/strong><\/span><\/p>\n<table class=\"alignleft\" style=\"height: 194px;width: 50.1061%;border-collapse: collapse;border-style: solid;border-color: #000000\" border=\"1\">\n<tbody>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.20892%;height: 23px\"><strong>Hor\u00e1rio<\/strong><\/td>\n<td style=\"width: 35.7615%;height: 23px\"><strong>T\u00edtulo<\/strong><\/td>\n<td style=\"width: 11.3501%;height: 23px\"><strong>Autor(es)<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.20892%;height: 23px\"><strong>9h30<\/strong><\/td>\n<td style=\"width: 35.7615%;height: 23px\"><strong>A Reescrita M\u00e9trica no Processo Criativo da Performance Musical<\/strong><\/td>\n<td style=\"width: 11.3501%;height: 23px\">Guilherme de Moura Glienke; Diogo Baggio Lima<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.20892%;height: 23px\"><strong>9h45<\/strong><\/td>\n<td style=\"width: 35.7615%;height: 23px\"><strong>Sa\u00fade F\u00edsica e Mental do M\u00fasico para a Performance: lecionando cuidados regulares para a pr\u00e1tica di\u00e1ria<\/strong><\/td>\n<td style=\"width: 11.3501%;height: 23px\">Meryelle Maciente<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.20892%;height: 23px\"><strong>10h<\/strong><\/td>\n<td style=\"width: 35.7615%;height: 23px\"><strong>Conex\u00f5es Culturais e Aspectos Estil\u00edsticos do Viol\u00e3o Latino-Americano: Di\u00e1logos entre as Tradi\u00e7\u00f5es Cl\u00e1ssica, Popular e Folcl\u00f3rica<\/strong><\/td>\n<td style=\"width: 11.3501%;height: 23px\">Renato Serrano<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.20892%;height: 23px\"><strong>10h15<\/strong><\/td>\n<td style=\"width: 35.7615%;height: 23px\"><strong>Quintal de Clorofila: O Mist\u00e9rio dos Quintais<\/strong><\/td>\n<td style=\"width: 11.3501%;height: 23px\">G\u00e9rson Werlang<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 2.20892%\"><strong>10h30<\/strong><\/td>\n<td style=\"width: 35.7615%\"><strong>An\u00e1lise de Cena Auditiva: Segrega\u00e7\u00e3o e Integra\u00e7\u00e3o de Fluxos Sonoros em Albert Bregman<\/strong><\/td>\n<td style=\"width: 11.3501%\">Felipe Medeiros; Nayana Di Giuseppe Germano<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.20892%;height: 23px\"><strong>10h50<\/strong><\/td>\n<td style=\"width: 35.7615%;height: 23px\"><strong>Dois processos de transcria\u00e7\u00e3o do Quarteto n\u00ba 7 de Dmitri Shostakovich<\/strong><\/td>\n<td style=\"width: 11.3501%;height: 23px\">L\u00facius Mota<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.20892%;height: 23px\"><strong>11h10<\/strong><\/td>\n<td style=\"width: 35.7615%;height: 23px\"><strong>Um modelo te\u00f3rico-metodol\u00f3gico para a autoan\u00e1lise composicional: caracter\u00edsticas e resultados de aplica\u00e7\u00e3o<\/strong><\/td>\n<td style=\"width: 11.3501%;height: 23px\">Darwin Pillar Corr\u00eaa<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.20892%;height: 23px\"><strong>11h30<\/strong><\/td>\n<td style=\"width: 35.7615%;height: 23px\"><strong>Proposta Metodol\u00f3gica de An\u00e1lise Auditivo-Comparativa: uma Abordagem Experimental para as Escutas Abertas de Lawrence Ferrara<\/strong><\/td>\n<td style=\"width: 11.3501%;height: 23px\">Gustavo Henrique Soares da Silva; Arthur Rinaldi<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 18pt\"><strong>Dia 13 (tarde &#8211; 15h00 \u00e0s 17h00)<\/strong><\/span><\/p>\n<table class=\"alignleft\" style=\"height: 161px;width: 50.3918%;border-collapse: collapse;border-style: solid;border-color: #000000\" border=\"1\">\n<tbody>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.35056%;height: 23px\"><strong>Hor\u00e1rio<\/strong><\/td>\n<td style=\"width: 35.7753%;height: 23px\"><strong>T\u00edtulo<\/strong><\/td>\n<td style=\"width: 11.3326%;height: 23px\"><strong>Autor(es)<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.35056%;height: 23px\"><strong>15h<\/strong><\/td>\n<td style=\"width: 35.7753%;height: 23px\"><strong>Perspectivas do uso da Psicometria na Avalia\u00e7\u00e3o de Testes Auditivos Musicais<\/strong><\/td>\n<td style=\"width: 11.3326%;height: 23px\">Nayana Di Giuseppe Germano<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.35056%;height: 23px\"><strong>15h15<\/strong><\/td>\n<td style=\"width: 35.7753%;height: 23px\"><strong>Processos Criativos Colaborativos no Rock Instrumental:<\/strong><br \/>\n<strong>Narrativa e An\u00e1lise Musical de 3 Composi\u00e7\u00f5es do \u00c1lbum<\/strong><br \/>\n<strong>Paisagens e Del\u00edrios do Trio Quarto \u00c1cido<\/strong><\/td>\n<td style=\"width: 11.3326%;height: 23px\">Pedro Paulo Rodrigues; G\u00e9rson Lu\u00eds Werlang<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.35056%;height: 23px\"><strong>15h30<\/strong><\/td>\n<td style=\"width: 35.7753%;height: 23px\"><strong>Banda Sinf\u00f4nica e Seus Instrumentos: Aspectos da Performance e Repert\u00f3rio<\/strong><\/td>\n<td style=\"width: 11.3326%;height: 23px\">Diego Ramires da Silva Leite; Wilson Mauro Rodrigues Millani<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.35056%;height: 23px\"><strong>15h45<\/strong><\/td>\n<td style=\"width: 35.7753%;height: 23px\"><strong>Cad\u00ea o touro preto? Relato de um processo composicional a n-1<\/strong><\/td>\n<td style=\"width: 11.3326%;height: 23px\">Paulo Rios Filho<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.35056%;height: 23px\"><strong>16h<\/strong><\/td>\n<td style=\"width: 35.7753%;height: 23px\"><strong>A Abordagem T\u00e9cnico-Interpretativa do Concertino para Viola e Piano de Perez Dworecki: Estrat\u00e9gias para o Ensino e a Performance<\/strong><\/td>\n<td style=\"width: 11.3326%;height: 23px\">F\u00e1bio Saggin<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.35056%;height: 23px\"><strong>16h20<\/strong><\/td>\n<td style=\"width: 35.7753%;height: 23px\"><strong>Sinestesia Cor-Som: Defini\u00e7\u00e3o e Testes Avaliativos<\/strong><\/td>\n<td style=\"width: 11.3326%;height: 23px\">Aline Barboza Machado; Nayana Di Giuseppe Germano<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 18pt\"><strong>Dia 14 (manh\u00e3- 10h00 \u00e0s 12h00)<\/strong><\/span><\/p>\n<table class=\"alignleft\" style=\"height: 232px;width: 50.3193%;border-collapse: collapse;border-style: solid;border-color: #000000\" border=\"1\">\n<tbody>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.08298%;height: 23px\"><strong>Hor\u00e1rio<\/strong><\/td>\n<td style=\"width: 33.3061%;height: 23px\"><strong>T\u00edtulo<\/strong><\/td>\n<td style=\"width: 10.2294%;height: 23px\"><strong>Autor(es)<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.08298%;height: 23px\"><strong>10h<\/strong><\/td>\n<td style=\"width: 33.3061%;height: 23px\"><strong>Banda Sinf\u00f4nica da UFSM: fomentando espa\u00e7os na forma\u00e7\u00e3o acad\u00eamica<\/strong><\/td>\n<td style=\"width: 10.2294%;height: 23px\">Clayton Miranda; Guilherme Garbosa<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.08298%;height: 23px\"><strong>10h15<\/strong><\/td>\n<td style=\"width: 33.3061%;height: 23px\"><strong>Um Estudo sobre a produ\u00e7\u00e3o discogr\u00e1fica de professores do Departamento de M\u00fasica da UFSM<\/strong><\/td>\n<td style=\"width: 10.2294%;height: 23px\">Marcos Kr\u00f6ning Corr\u00eaa<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.08298%;height: 23px\"><strong>10h30<\/strong><\/td>\n<td style=\"width: 33.3061%;height: 23px\"><strong><em>Pensieroso<\/em> para fagote solo: processo composicional e interpretativo<\/strong><\/td>\n<td style=\"width: 10.2294%;height: 23px\">Glaubert N\u00fcske; Arthur Rinaldi<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.08298%;height: 23px\"><strong>10h50<\/strong><\/td>\n<td style=\"width: 33.3061%;height: 23px\"><strong>Processos identit\u00e1rios resilientes: desdobrando a constru\u00e7\u00e3o de uma seguran\u00e7a perform\u00e1tica a partir da escrita de di\u00e1rios<\/strong><\/td>\n<td style=\"width: 10.2294%;height: 23px\">Ana L\u00facia Louro<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.08298%;height: 23px\"><strong>11h10<\/strong><\/td>\n<td style=\"width: 33.3061%;height: 23px\"><strong>Projetos Sonoros para Ambientes Interativos: Fundamentos Conceituais e Tecnol\u00f3gicos<\/strong><\/td>\n<td style=\"width: 10.2294%;height: 23px\">Guilherme Almeida de Barros<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 2.08298%;height: 23px\"><strong>11h30<\/strong><\/td>\n<td style=\"width: 33.3061%;height: 23px\"><strong>O h\u00edbrido compositor-pesquisador e o problema da autoan\u00e1lise na pesquisa art\u00edstica em composi\u00e7\u00e3o musical<\/strong><\/td>\n<td style=\"width: 10.2294%;height: 23px\">Paulo Rios Filho<\/td>\n<\/tr>\n<tr style=\"height: 71px\">\n<td style=\"width: 2.08298%;height: 71px\"><strong>11h45<\/strong><\/td>\n<td style=\"width: 33.3061%;height: 71px\"><strong>Regula\u00e7\u00e3o da capacidade de aten\u00e7\u00e3o como fator de aprimoramento do desempenho em leitura musical enquanto habilidade piano-colaborativa<\/strong><\/td>\n<td style=\"width: 10.2294%;height: 71px\">Taiur Fontana<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Caderno de resumos online do evento: <a href=\"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/resumos-do-ii-seminario-de-pesquisa-em-musica-da-ufsm\"><strong>LINK<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 18pt\"><strong>S\u00c9RIE APLAUSO \u2013 CONCERTO INAUGURAL<\/strong><\/span><\/p>\n<p>Dia 13 &#8211;\u00a018h30<\/p>\n<p>Teatro Caixa Preta<\/p>\n<p>&nbsp;<\/p>\n<p>Curadoria: Prof. Glaubert N\u00fcske<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 14pt\"><strong>PROGRAMA<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Tom Jobim <\/strong><\/p>\n<p style=\"padding-left: 40px\">Amor em Paz<\/p>\n<p style=\"padding-left: 40px\">Wave<\/p>\n<p style=\"padding-left: 40px\">Samba de uma Nota S\u00f3<\/p>\n<p style=\"padding-left: 40px\">Luiza<\/p>\n<p><strong>Kr\u00f6ning Corr\u00eaa<\/strong><\/p>\n<p style=\"padding-left: 40px\">Ei Mi, \u00e9 Longa<\/p>\n<p style=\"padding-left: 40px\">Sr de Si, Sr de Mim<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 160px\">Marcos Kr\u00f6ning Corr\u00eaa, viol\u00e3o de 7 cordas<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Alexander Scriabin<\/strong><\/p>\n<p style=\"padding-left: 40px\">Estudo Pat\u00e9tico Op. 8, N\u00ba 12<\/p>\n<p><strong>Dream Theater<\/strong><\/p>\n<p style=\"padding-left: 40px\">The Dance of Eternity (arr. Jordan Rudess)<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 160px\">Taiur Fontana, piano<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Edmundo Villani-C\u00f4rtes <\/strong><\/p>\n<p style=\"padding-left: 40px\">Introdu\u00e7\u00e3o e\/ao desafio<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 160px\">Diego Ramires, trombone<\/p>\n<p style=\"padding-left: 160px\">Taiur Fontana, Piano<\/p>\n","evento_inscricao":"<p>As inscri\u00e7\u00f5es poder\u00e3o ser realizadas durante o evento.<\/p>\n","evento_local":"Teatro Caixa Preta \u2013 Centro de Artes e Letras da UFSM","evento_contato":"<p>D\u00favidas e informa\u00e7\u00f5es: arthur-rinaldi-ferreira@ufsm.br<\/p>\n"},"_links":{"self":[{"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-json\/wp\/v2\/eventos\/1354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-json\/wp\/v2\/eventos"}],"about":[{"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-json\/wp\/v2\/types\/eventos"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-json\/wp\/v2\/media\/1355"}],"wp:attachment":[{"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-json\/wp\/v2\/media?parent=1354"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-json\/wp\/v2\/tags?post=1354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}