{"id":944,"date":"2020-09-30T14:36:53","date_gmt":"2020-09-30T17:36:53","guid":{"rendered":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/?page_id=944"},"modified":"2020-09-30T16:42:50","modified_gmt":"2020-09-30T19:42:50","slug":"musica-correpeticao","status":"publish","type":"page","link":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/musica-correpeticao","title":{"rendered":"M\u00fasica Correpeti\u00e7\u00e3o"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Correpeti\u00e7\u00e3o e Colabora\u00e7\u00e3o: o que \u00e9?<\/strong><\/h5>\n

Correpeti\u00e7\u00e3o<\/strong>
Etimologia – consiste na tradu\u00e7\u00e3o de \u2018r\u00e9p\u00e9tition\u2019 (do franc\u00eas: ensaio) precedida do prefixo \u2018co\u2019, que significa \u2018auxiliar a algo\u2019 (assim como ocorre em cooperar, coeditar, e etc…). \u2018Correpeti\u00e7\u00e3o\u2019 significa ent\u00e3o, auxiliar ao ensaio, prestar ajuda a esta atividade. Est\u00e1 tamb\u00e9m relacionado \u00e0 \u2018coach\u2019: treinador ou preparador de uma determinada atividade que exige habilidades espec\u00edficas para ser executada.
O pianista desempenha aqui, a fun\u00e7\u00e3o de \u2018repetiteur\u2019 (do franc\u00eas: preceptor; professor; educador; instrutor;), ou seja, preparador de solistas para performance, juntamente com o professor de canto, de instrumento ou com o maestro e, conforme a necessidade, pode at\u00e9 mesmo substitu\u00ed-los. Al\u00e9m de executar partes escritas especificamente para seu instrumento, o pianista pode tamb\u00e9m vir a realizar e executar redu\u00e7\u00f5es de orquestra, de coro, partes de outros instrumentos e demais adapta\u00e7\u00f5es por vezes necess\u00e1rias a possibilitar ao solista sua prepara\u00e7\u00e3o para performance com uma orquestra ou grupo de c\u00e2mara.<\/p>\n

Colabora\u00e7\u00e3o<\/strong>
O termo \u2018co-laborar\u2019 significa \u2018trabalhar de forma a auxiliar na execu\u00e7\u00e3o musical\u2019.
O pianista colaborador por sua vez, \u00e9 definido como o instrumentista que aprimorou sua t\u00e9cnica atrav\u00e9s do estudo do instrumento solo e que desenvolveu habilidades de intera\u00e7\u00e3o com outros solistas, adquiridas a partir da viv\u00eancia quotidiana da m\u00fasica de c\u00e2mara e observ\u00e2ncia de t\u00e9cnicas e particularidades de outros instrumentos.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Formul\u00e1rios<\/strong><\/h5>\n
Correpeti\u00e7\u00e3o: Crit\u00e9rios e Prioridades<\/a><\/div>\n
\u00a0<\/div>\n
Requerimento de acompanhamento UFSM<\/a><\/div>\n
\u00a0<\/div>\n
Autoriza\u00e7\u00e3o para publica\u00e7\u00e3o de m\u00eddia<\/a><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Agenda<\/strong><\/h5>\n

Aten\u00e7\u00e3o: antes de agendar seus recitais, ensaios e aulas coletivas com o correpetidor, \u00e9 necess\u00e1rio:<\/p>\n

\u2022 Ler as normas das atividades de correpeti\u00e7\u00e3o que constam no arquivo \u2018Crit\u00e9rios e Prioridades\u2019 (dispon\u00edvel para download no menu \u2018Formul\u00e1rios\u2019);
\u2022 Preencher a solicita\u00e7\u00e3o e entreg\u00e1-la no prazo estabelecido, a ser informado no mural da p\u00e1gina inicial a cada in\u00edcio de semestre;
\u2022 Aguardar a resposta (por e-mail ou pessoalmente) ao seu requerimento \u2013 se este poder\u00e1 ou n\u00e3o ser atendido conforme est\u00e1 sendo solicitado.<\/p>\n

\u00a0 \u00a0 \u00a0Depois de sua solicita\u00e7\u00e3o ter sido confirmada, confira a disponibilidade de datas e hor\u00e1rios na agenda que consta na p\u00e1gina inicial e entre em contato para marcar suas atividades.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Repert\u00f3rio<\/strong><\/h5>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t Violino<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Gaetano Pugnani<\/strong><\/p>\n

Prel\u00fadio e Allegro<\/p>\n

\u00a0<\/p>\n

Tomaso Vitali<\/strong><\/p>\n

Ciaccona<\/p>\n

\u00a0<\/p>\n

Jean-Marie Leclair<\/strong><\/p>\n

Sonata III<\/p>\n

\u00a0<\/p>\n

W. A. Mozart<\/strong><\/p>\n

Sonatas:<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – KV 306 em R\u00e9 Maior<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – KV 305 em L\u00e1 Maior<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – KV 304 em mi menor<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – KV 303 em D\u00f3 Maior<\/p>\n

\u00a0 \u00a0 \u00a0 – KV 301 em Sol Maior<\/p>\n

\u00a0<\/p>\n

L. v. Beethoven<\/strong><\/p>\n

Romance Op. 50 em F\u00e1 Maior<\/p>\n

Sonatas:<\/p>\n

– Op. 30 n\u00b0 3 em Sol Maior<\/p>\n

– Op. 23 em l\u00e1 menor<\/p>\n

\u00a0<\/p>\n

Johannes Brahms<\/strong><\/p>\n

Scherzo WoO 2<\/p>\n

Sonata em r\u00e9 menor Op. 108<\/p>\n

\u00a0<\/p>\n

Cesar Franck<\/strong><\/p>\n

Sonata (primeiro movimento)<\/p>\n

\u00a0<\/p>\n

Claude Debussy<\/strong><\/p>\n

Sonata para Violino e Piano em sol menor<\/p>\n

\u00a0<\/p>\n

Maurice Ravel<\/strong><\/p>\n

Tzigane<\/p>\n

\u00a0<\/p>\n

Gabriel Faur\u00e9<\/strong><\/p>\n

Andante Op. 78<\/p>\n

\u00a0<\/p>\n

Edward Elgar<\/strong><\/p>\n

Chanson de Nuit, Op. 15 n\u00b01<\/p>\n

\u00a0<\/p>\n

Antonin Dvor\u00e1k<\/strong><\/p>\n

Romantische St\u00fccke Op. 75<\/p>\n

\u00a0<\/p>\n

Igor Stravinsky<\/strong><\/p>\n

Chanson russe<\/p>\n

Dance russe (from\u00a0Three Movements of Petroushka<\/em>)<\/p>\n

\u00a0<\/p>\n

Sergei Prokofiev<\/strong><\/p>\n

Sonata Op. 94 em R\u00e9 Maior<\/p>\n

\u00a0<\/p>\n

Alfred Schnittke<\/strong><\/p>\n

Suite in Old Style Op. 80<\/p>\n

\u00a0<\/p>\n

Arvo P\u00e4rt<\/strong><\/p>\n

Fratres (1977, 1980)<\/p>\n

\u00a0<\/p>\n

Henryk Wieniawski<\/strong><\/p>\n

Scherzo-Tarantella Op. 16<\/p>\n

\u00a0<\/p>\n

Pablo de Sarasate<\/strong><\/p>\n

Zigeunerweisen Op. 20<\/p>\n

Malage\u00f1a Op. 21 n\u00b0 1<\/p>\n

\u00a0<\/p>\n

Nicolo Paganini<\/strong><\/p>\n

Cantabile para Violino e Piano<\/p>\n

\u00a0<\/p>\n

Compositores brasileiros e latino-americanos<\/strong><\/p>\n

Marlos Nobre<\/strong><\/p>\n

Desafio III Op. 31 n\u00b03<\/p>\n

\u00a0<\/p>\n

Francisco Mignone<\/strong><\/p>\n

Romanza<\/p>\n

\u00a0<\/p>\n

Carlos de Almeida<\/strong><\/p>\n

Seresta n\u00b02<\/p>\n

\u00a0<\/p>\n

Alberto Nepomuceno<\/strong><\/p>\n

Pr\u00e9ce (Obra p\u00f3stuma de 1887, Op. 1 n\u00b01)<\/p>\n

\u00a0<\/p>\n

H. Villa-Lobos<\/strong><\/p>\n

\u00a0 \u00a0Improviso n\u00b0 7 (melodia)<\/p>\n

\u00a0 \u00a0Sonata-fantasia n\u00b0 1 \u2013\u00a0D\u00e9sesp\u00e9rance<\/em><\/p>\n

\u00a0<\/p>\n

\u00a0 \u00a0 Astor Piazzola<\/strong><\/p>\n

Quatro Esta\u00e7\u00f5es Portenhas<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tVioloncello<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

J. Chr. Bach<\/strong><\/p>\n

Concerto em d\u00f3 menor<\/p>\n

\u00a0<\/p>\n

Ludwig Mendelssohn<\/strong><\/p>\n

Concerto em R\u00e9 Maior Op. 213<\/p>\n

\u00a0<\/p>\n

L. v. Beethoven<\/strong><\/p>\n

\u00a0Sonatas:<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – Op. 5 n\u00b0 1 em F\u00e1 Maior;<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – Op. 5 n\u00b0 2 em Sol menor.<\/p>\n

\u00a0<\/p>\n

Felix Mendelssohn<\/strong><\/p>\n

Can\u00e7\u00e3o sem Palavra Op. 109 n\u00b0 4<\/p>\n

\u00a0<\/p>\n

Johannes Brahms<\/strong><\/p>\n

Sonata para Piano e Violoncelo em mi menor Op. 38<\/p>\n

\u00a0<\/p>\n

Sergei Prokofiev<\/strong><\/p>\n

Sonata para Violoncelo e Piano Op. 119 em D\u00f3 Maior<\/p>\n

\u00a0<\/p>\n

Piotr Ilich Tchaikovsky<\/strong><\/p>\n

Pezzo Capriccioso<\/p>\n

\u00a0<\/p>\n

Edouard Lalo<\/strong><\/p>\n

Concerto em r\u00e9 menor<\/p>\n

\u00a0<\/p>\n

Edward Grieg<\/strong><\/p>\n

Sonata para Violoncelo e Piano Op. 36<\/p>\n

\u00a0<\/p>\n

Camille Saint-Sa\u00ebns<\/strong><\/p>\n

Concerto em l\u00e1 menor Op. 33<\/p>\n

Cisne\u00a0<\/em>do Carnaval dos Animais<\/p>\n

\u00a0<\/p>\n

Claude Debussy<\/strong><\/p>\n

Sonata para Violoncelo e Piano em r\u00e9 menor<\/p>\n

\u00a0<\/p>\n

David Popper<\/strong><\/p>\n

Hungarian Rhapsody Op. 68<\/p>\n

\u00a0<\/p>\n

Compositores brasileiros e latino-americanos<\/strong><\/p>\n

Astor Piazzola<\/strong><\/p>\n

Quatro Esta\u00e7\u00f5es Portenhas<\/p>\n

\u00a0<\/p>\n

Alberto Nepomuceno<\/strong><\/p>\n

Romance e Tarantella<\/p>\n

\u00a0<\/p>\n

Camargo Guarnieri<\/strong><\/p>\n

Ponteio<\/p>\n

\u00a0<\/p>\n

Ernest Mahle<\/strong><\/p>\n

Concertino (1976)<\/p>\n

\u00a0<\/p>\n

Marlos Nobre<\/strong><\/p>\n

Poema III para Violoncelo e Piano<\/p>\n

\u00a0<\/p>\n

H. Villa-Lobos<\/strong><\/p>\n

\u00c1ria da Bachianas Brasileiras n\u00b0 5<\/p>\n

Linhares<\/strong><\/p>\n

C\u00f4co<\/p>\n

Denis Racki Noschang (UFSM)<\/strong><\/p>\n

Fantasia sobre um Amanhecer<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tContrabaixo<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Karl Ditters von Dittersdorf<\/strong><\/p>\n

Concerto em Mi Maior<\/p>\n

\u00a0<\/p>\n

Giavanni Bottesini<\/strong><\/p>\n

Concerto n\u00b0 2 em si menor<\/p>\n

\u00a0<\/p>\n

Serge Koussevitzky<\/strong><\/p>\n

Concerto Op. 3<\/p>\n

\u00a0<\/p>\n

Frank Proto<\/strong><\/p>\n

Noturno: Aria de Michaela<\/p>\n

Sonata 1963 para Contrabaixo e Piano<\/p>\n

\u00a0<\/p>\n

Compositores brasileiros<\/strong><\/p>\n

Marlos Nobre<\/strong><\/p>\n

Poema IV para Contrabaixo e Piano<\/p>\n

\u00a0<\/p>\n

Radam\u00e9s Gnatalli<\/strong><\/p>\n

Can\u00e7\u00e3o e Dan\u00e7a<\/p>\n

Tom Jobim<\/strong><\/p>\n

Luiza<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tTrombone<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Ferdinand David<\/strong><\/p>\n

Concertino Op. 4<\/p>\n

\u00a0<\/p>\n

Rimsky-Korsakov<\/strong><\/p>\n

Concerto para Trombone<\/p>\n

\u00a0<\/p>\n

Launy Gr\u00f6ndahl<\/strong><\/p>\n

Concerto para Trombone e Orquestra<\/p>\n

\u00a0<\/p>\n

Paul Hindemith<\/strong><\/p>\n

Sonata para Trombone e Piano<\/p>\n

\u00a0<\/p>\n

Stjepan Sulek<\/strong><\/p>\n

Sonata\u00a0Vox Gabrieli\u00a0<\/em>para Trombone e Piano<\/p>\n

\u00a0<\/p>\n

Kazimierz Serocki<\/strong><\/p>\n

Sonatina para Trombone e Piano<\/p>\n

\u00a0<\/p>\n

Sigismond Stojowski<\/strong><\/p>\n

Fantasia para Trombone tenor e Piano<\/p>\n

\u00a0<\/p>\n

Eugene Bozza<\/strong><\/p>\n

Ballada para Trombone tenor e Piano Op. 82<\/p>\n

\u00a0<\/p>\n

Eric Ewazen<\/strong><\/p>\n

Ballada para Trombone baixo ou tenor<\/p>\n

Sonata para Trombone e Piano (primeiro movimento)<\/p>\n

Pastorale para Trompete, Trombone tenor ou baixo e Piano<\/p>\n

\u00a0<\/p>\n

Compositores brasileiros<\/strong><\/p>\n

Jorge Antunes<\/strong><\/p>\n

Tr\u00eas Notas de Neve<\/p>\n

\u00a0<\/p>\n

Edmundo Villani-C\u00f4rtes<\/strong><\/p>\n

Introdu\u00e7\u00e3o e Desafio<\/p>\n

\u00a0<\/p>\n

Gilberto Gagliardi<\/strong><\/p>\n

Divertimento para Trombone e Piano<\/p>\n

Cantiga brasileira<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tTrompete<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Georg Phillip Telemann<\/strong><\/p>\n

Concerto em R\u00e9 Maior<\/p>\n

\u00a0<\/p>\n

Giuseppe Torelli<\/strong><\/p>\n

Concerto em R\u00e9 Maior<\/p>\n

\u00a0<\/p>\n

Joseph Haydn<\/strong><\/p>\n

Concerto para Trompete e Orquestra em Mi bemol Maior<\/p>\n

\u00a0<\/p>\n

Johann Nepomuk Hummel<\/strong><\/p>\n

Concerto para Trompete e Orquestra em Mi bemol Maior<\/p>\n

\u00a0<\/p>\n

Walter Beeler\u00a0<\/strong>(editor)<\/p>\n

Solos para Trompete (Cornet) e Piano: Colet\u00e2nea com pe\u00e7as de v\u00e1rios compositores.<\/p>\n

\u00a0<\/p>\n

Paul Hindemith<\/strong><\/p>\n

Sonata para Trompete e Piano<\/p>\n

\u00a0<\/p>\n

Bohuslav Martinu<\/strong><\/p>\n

Sonatina<\/p>\n

\u00a0<\/p>\n

Alexander Arutunian<\/strong><\/p>\n

Concerto<\/p>\n

\u00a0<\/p>\n

Francis Thom\u00e9<\/strong><\/p>\n

Fantasia<\/p>\n

\u00a0<\/p>\n

Jean Hubeau<\/strong><\/p>\n

Sonata para Trompete e Piano<\/p>\n

\u00a0<\/p>\n

Joseph Turrin<\/strong><\/p>\n

Two Portraits<\/p>\n

\u00a0<\/p>\n

Georges Enesco<\/strong><\/p>\n

Legenda para Trompete e Piano<\/p>\n

\u00a0<\/p>\n

Jean-Babtiste Arban<\/strong><\/p>\n

Carnaval de Veneza<\/p>\n

\u00a0<\/p>\n

Charles Chaynes<\/strong><\/p>\n

Concerto para Trompete e Orquestra (primeiro movimento)<\/p>\n

\u00a0<\/p>\n

Philip Sparke<\/strong><\/p>\n

Song and Dance<\/p>\n

\u00a0<\/p>\n

Vassily Brandt<\/strong><\/p>\n

Concertpiece Op. 12 para Trompete e Piano<\/p>\n

\u00a0<\/p>\n

Herbert L. Clarke<\/strong><\/p>\n

The maid of the Mist<\/p>\n

\u00a0<\/p>\n

Eric Ewazen<\/strong><\/p>\n

Pastorale para Trompete, Trombone tenor ou baixo e Piano<\/p>\n

\u00a0<\/p>\n

Compositores brasileiros<\/strong><\/p>\n

Antonio Guerreiro de Faria:<\/strong><\/p>\n

Jongo<\/p>\n

\u00a0<\/p>\n

Duda (Jos\u00e9 Ursicino da Silva):<\/strong><\/p>\n

Su\u00edte Recife<\/p>\n

\u00a0<\/p>\n

Edmundo Villani-C\u00f4rtes<\/strong><\/p>\n

Ponteio para as Alterosas (para Trompete em C e Piano)<\/p>\n

\u00a0<\/p>\n

H. Villa-Lobos<\/strong><\/p>\n

Estudo-Vocalise para Trompete e Piano<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tFagote<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Henri Dutilleux<\/strong><\/p>\n

Sarabande et Cortege<\/p>\n

\u00a0<\/p>\n

Compositores brasileiros e latino-americanos<\/strong><\/p>\n

Vinicio Meza<\/strong><\/p>\n

Cuando me acuerdo de ti (2015)<\/p>\n

\u00a0<\/p>\n

Breno Blauth<\/strong><\/p>\n

Sonata para Fagote e Piano T. 6 (1958)<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tClarineta<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Karl Stamitz<\/strong><\/p>\n

Concerto em Mi bemol Maior<\/p>\n

\u00a0<\/p>\n

Carl Maria Von Weber<\/strong><\/p>\n

Grande Duo Concertante<\/p>\n

\u00a0<\/p>\n

Johannes Brahms<\/strong><\/p>\n

Sonata para Piano e Clarineta\u00a0 em Mi bemol Maior Op. 120<\/p>\n

\u00a0<\/p>\n

Paul Hindemith<\/strong><\/p>\n

Sonata para Clarineta e Piano<\/p>\n

\u00a0<\/p>\n

Camille Saint-Sa\u00ebns<\/strong><\/p>\n

Sonata para Clarineta e Piano Op. 167<\/p>\n

\u00a0<\/p>\n

Henri Rabaud<\/strong><\/p>\n

Contest Piece<\/p>\n

\u00a0<\/p>\n

Aaron Copland<\/strong><\/p>\n

Concerto para Clarineta e Orquestra de Cordas<\/p>\n

\u00a0<\/p>\n

Compositores brasileiros<\/strong><\/p>\n

Osvaldo Lacerda<\/strong><\/p>\n

Valsa-Choro<\/p>\n

\u00a0<\/p>\n

Ernest Mahle<\/strong><\/p>\n

Sonatina (1974)<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tFlauta<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Francis Poulenc<\/strong><\/p>\n

Sonata para Flauta e Piano<\/p>\n

\u00a0<\/p>\n

Carl Reinecke<\/strong><\/p>\n

Concerto para Flauta e Orquestra<\/p>\n

\u00a0<\/p>\n

Henri Dutilleux<\/strong><\/p>\n

Sonatina para Flauta e Piano<\/p>\n

\u00a0<\/p>\n

Gabriel Faur\u00e9<\/strong><\/p>\n

Sicilienne Op. 78<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tPercuss\u00e3o<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

\u00c1skell M\u00e1sson<\/strong><\/p>\n

Konzertst\u00fcck<\/em>\u00a0para Caixa Clara e Orquestra (1982)<\/p>\n

\u00a0<\/p>\n

Ney Rosauro<\/strong><\/p>\n

Concerto para Marimba e Orquestra<\/p>\n

Raps\u00f3dia para Percuss\u00e3o e Orquestra<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tViol\u00e3o<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Leo Brouwer<\/strong><\/p>\n

Retratos Catal\u00e3es<\/p>\n

\u00a0<\/p>\n

Joaquin Rodrigo<\/strong><\/p>\n

Concerto de Aranjuez<\/p>\n

Fantasia para um gentilhombre<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tCanto Coral<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

W. A. Mozart<\/strong><\/p>\n

Missa Brevis em Si bemol Maior KV 275<\/p>\n

Missa da Coroa\u00e7\u00e3o em D\u00f3 Maior KV 317<\/p>\n

\u00a0<\/p>\n

J. S. Bach<\/strong><\/p>\n

Motette BWV 231:\u00a0Sei Lob und Preis mit Ehren<\/em><\/p>\n

\u00a0<\/p>\n

Marc-Antoine Charpentier<\/strong><\/p>\n

Te Deum<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Galeria<\/strong><\/h5>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"13\"<\/figure><\/a><\/div>
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\"12\"<\/figure><\/a><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Recitais<\/strong><\/h5>\n

D\u00eanis Racki – Noturno para Piano<\/a>

Guiherme de Moraes – Recital de Formatura em Percuss\u00e3o<\/a><\/p>\n

Fabiano Ribeiro – O Sabi\u00e1 do Sert\u00e3o<\/a>

Prof. Alexandre Eisenberg – Elegia<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Contato<\/strong><\/h5>\n

Contatos:<\/p>\n

taiur.fontana@ufsm.br<\/a><\/p>\n

depmus.ufsm@gmail.com<\/a><\/p>\n

Telefones:<\/p>\n

55 3220-8088 (Secretaria do Curso de M\u00fasica)<\/p>\n

Curriculum de Taiur Fontana<\/p>\n

– Vitae\u00a0clique aqui<\/a><\/p>\n

– Lattes:\u00a0http:\/\/buscatextual.cnpq.br\/buscatextual\/visualizacv.do?id=K4322233U4<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Correpeti\u00e7\u00e3o e Colabora\u00e7\u00e3o: o que \u00e9? Correpeti\u00e7\u00e3oEtimologia – consiste na tradu\u00e7\u00e3o de \u2018r\u00e9p\u00e9tition\u2019 (do franc\u00eas: ensaio) precedida do prefixo \u2018co\u2019, que significa \u2018auxiliar a algo\u2019 (assim como ocorre em cooperar, coeditar, e etc…). \u2018Correpeti\u00e7\u00e3o\u2019 significa ent\u00e3o, auxiliar ao ensaio, prestar ajuda a esta atividade. Est\u00e1 tamb\u00e9m relacionado \u00e0 \u2018coach\u2019: treinador ou preparador de uma determinada […]<\/p>\n","protected":false},"author":46,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-944","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-json\/wp\/v2\/pages\/944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-json\/wp\/v2\/users\/46"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-json\/wp\/v2\/comments?post=944"}],"version-history":[{"count":0,"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-json\/wp\/v2\/pages\/944\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-json\/wp\/v2\/media?parent=944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-json\/wp\/v2\/categories?post=944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/graduacao\/santa-maria\/musica\/wp-json\/wp\/v2\/tags?post=944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}