{"id":1908,"date":"2023-09-04T10:45:47","date_gmt":"2023-09-04T13:45:47","guid":{"rendered":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgart\/?page_id=1908"},"modified":"2024-01-10T11:00:43","modified_gmt":"2024-01-10T14:00:43","slug":"processo-seletivo-1o-sem-2024","status":"publish","type":"page","link":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgart\/processo-seletivo-1o-sem-2024","title":{"rendered":"Processo Seletivo 1\u00ba sem. 2024"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1908\" class=\"elementor elementor-1908\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b8b9f41 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b8b9f41\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-810cbd9\" data-id=\"810cbd9\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c0a603e elementor-widget elementor-widget-wp-widget-text\" data-id=\"c0a603e\" data-element_type=\"widget\" data-widget_type=\"wp-widget-text.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h5>Mestrado em Artes Visuais<\/h5>\t\t\t<div class=\"textwidget\"><div data-id=\"53cc39c\" data-element_type=\"widget\" data-widget_type=\"wp-widget-text.default\">\n<div>\n<div>\n<p>O Curso de Mestrado em Artes Visuais ocorrer\u00e1 em per\u00edodo de regime presencial regular, na cidade de Santa Maria\/RS e tem dura\u00e7\u00e3o de 4 semestres.<\/p>\n<p>O processo seletivo para\u00a0 ingresso no curso de mestrado em Artes Visuais \u00e9 realizado em tr\u00eas etapas, sendo cada etapa eliminat\u00f3ria. A nota m\u00ednima \u00a0para classifica\u00e7\u00e3o em cada prova \u00e9 sete (7,0).<\/p>\n<p><strong>Primeira etapa:<\/strong><\/p>\n<ul>\n<li>Prova 1: Projeto de Pesquisa, com peso tr\u00eas (3,0).<\/li>\n<li>Prova 2: Curr\u00edculo; Portf\u00f3lio Art\u00edstico ou Portf\u00f3lio Textos, com peso tr\u00eas (3,0).<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2023\/09\/PLANILHA-CURRICULO-MESTRADO-2024-.docx\"><b>PLANILHA DE AVALIA\u00c7\u00c3O DO CURR\u00cdCULO \u2013 mestrado<\/b>\u00a0<\/a><\/p>\n<p><strong>\u00a0<\/strong><strong>Segunda etapa:<\/strong><\/p>\n<ul>\n<li>Prova 3: Prova Escrita, peso tr\u00eas (3,0).<\/li>\n<li>Bibliografia indicada:<\/li>\n<\/ul>\n<p>ARCHER, Michael.\u00a0<em>Arte Contempor\u00e2nea: uma hist\u00f3ria concisa.<\/em> S\u00e3o Paulo: Martins Fontes, 2001. <span style=\"color: #0000ff\"><strong><a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/ARCHER-Michael-Arte-contemporanea-O-campo-expandido.pdf\">PARTE 1<\/a><span style=\"color: #000000\"> |<\/span> <a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/ARCHER-Michael-Arte-contemporanea-O-real-e-seus-objetos.pdf\">PARTE 2<\/a><\/strong><\/span><\/p>\n<p>BAUMAN, Zygmunt.\u00a0<em>Ensaios sobre o conceito de cultura.<\/em> Rio de Janeiro: Zahar, 2012. <span style=\"color: #0000ff\"><strong><a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/BAUMAN-Zygmunt-Ensaios-sobre-o-conceito-de-cultura-Cultura-como-conceito.pdf\">PARTE 1<\/a><span style=\"color: #000000\"> |<\/span> <a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/BAUMAN-Zygmunt-Ensaios-sobre-o-conceito-de-cultura-Introducao.pdf\">PARTE 2<\/a><\/strong><\/span><\/p>\n<p>BELTING, Hans.\u00a0<em>O fim da hist\u00f3ria da arte: uma revis\u00e3o dez anos depois.<\/em> S\u00e3o Paulo: Cosac &amp; Naify,<br \/>\n2006. <span style=\"color: #0000ff\"><strong><a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/BELTING-Hans-O-fim-da-historia-da-arte-Experiencia-artistica-atual-e-pesquisa-historica-da-arte.pdf\">PARTE 1<\/a><span style=\"color: #000000\"> |<\/span> <a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/BELTING-Hans-O-fim-da-historia-da-arte-O-fim-da-historia-da-arte-e-a-cultura-atual.pdf\">PARTE 2<\/a><\/strong><\/span><\/p>\n<p>BRITES, Blanca; TESSLER, Elida (org.).\u00a0<em>O meio como ponto zero: Metodologia da pesquisa em Artes<\/em><br \/>\n<em>Pl\u00e1sticas.<\/em> Porto Alegre: Editora da Universidade\/UFRGS, 2002. <span style=\"color: #0000ff\"><strong><a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/BRITES-Blanca_-TESSLER-Elida-org-O-meio-como-ponto-zero-Coloquio-sobre-a-metodologia-da-pesquisa-em-artes-plasticas-na-universidade.pdf\">PARTE 1<\/a><span style=\"color: #000000\"> |<\/span> <a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/BRITES-Blanca_-TESSLER-Elida-org-O-meio-como-ponto-zero-Por-uma-abordagem-metodologica-da-pesquisa-em-artes-visuais.pdf\">PARTE 2<\/a><\/strong><\/span><\/p>\n<p>CAUQUELIN, Anne.\u00a0<em>Arte Contempor\u00e2nea: uma Introdu\u00e7\u00e3o.<\/em> S\u00e3o Paulo: Martins Fontes, 2005. <a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/CAUQUELIN-Anne-Arte-contemporanea-uma-Introducao-A-atualidade.pdf\"><span style=\"color: #0000ff\"><strong>PARTE \u00daNICA<\/strong><\/span><\/a><\/p>\n<p>DANTO, Arthur C.\u00a0<em>Ap\u00f3s o fim da arte.<\/em> S\u00e3o Paulo: Edusp, 2006.\u00a0<a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2023\/05\/danto-arthur-c-apos-o-fim-da-arte.pdf\"><span style=\"color: #0000ff\"><strong>PARTE\u00a0\u00daNICA<\/strong><\/span><\/a><\/p>\n<p>DIDI-HUBERMANN, Georges.\u00a0<em>O que vemos, o que nos olha.<\/em> S\u00e3o Paulo: Editora 34, 1998. <span style=\"color: #0000ff\"><strong><a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/DIDI-HUBERMANN-Georges-O-que-vemos-o-que-nos-olha-A-dupla-distancia.pdf\">PARTE 1<\/a><span style=\"color: #000000\"> |<\/span> <a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/DIDI-HUBERMANN-Georges-O-que-vemos-o-que-nos-olha-A-inelutavel-cisao-do-ver.pdf\">PARTE 2<\/a><\/strong><\/span><\/p>\n<p>FERREIRA, Gl\u00f3ria. COTRIM, Cecilia (org.).\u00a0<em>Escritos de artistas \u2013 anos 60\/70.<\/em>\u00a0Rio de Janeiro: ZAHAR,<br \/>\n2006. <span style=\"color: #0000ff\"><strong><a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/FERREIRA-Gloria_-COTRIM-Cecilia-Escritos-de-artistas-Anos-6070-A-arte-depois-da-filosofia.pdf\">PARTE 1<\/a><span style=\"color: #000000\"> |<\/span> <a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/FERREIRA-Gloria_-COTRIM-Cecilia-Escritos-de-artistas-Anos-6070-Joseph-Beuys-Conversa-entre-Joseph-Beuys-e-o-Hagen-Lieberknecht.pdf\">PARTE 2<\/a><\/strong><\/span><\/p>\n<p>GRAU, Oliver.\u00a0<em>Arte virtual: Da ilus\u00e3o \u00e0 imers\u00e3o.<\/em> S\u00e3o Paulo: UNESP, 2007. <span style=\"color: #0000ff\"><strong><a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/GRAU-Oliver-Arte-virtual-da-ilusao-a-imersao-Conectada-com-o-corpo-humano.pdf\">PARTE 1<\/a><span style=\"color: #000000\"> |<\/span> <a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/GRAU-Oliver-Arte-virtual-da-ilusao-a-imersao-Perspectivas.pdf\">PARTE 2<\/a> <span style=\"color: #000000\">| <a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/GRAU-Oliver-Arte-virtual-da-ilusao-a-imersao-Telepresenca-Arte-e-historia-de-uma-ideia.pdf\">PARTE 3<\/a><\/span><\/strong><\/span><\/p>\n<p><span style=\"background-color: var(--bs-body-bg)\">RUSH,\u00a0Michael.\u00a0<\/span><em style=\"background-color: var(--bs-body-bg)\">Novas m\u00eddias na arte contempor\u00e2nea<\/em><span style=\"background-color: var(--bs-body-bg)\">. S\u00e3o. Paulo: Martins Fontes, 2006. <\/span><span style=\"color: #0000ff;background-color: var(--bs-body-bg)\"><strong><a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/RUSH-Michael-Novas-midias-na-arte-contemporanea-Videoarte.pdf\">PARTE 1<\/a> <span style=\"color: #000000\">|<\/span> <a style=\"color: #0000ff\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2022\/03\/RUSH-Michael-Novas-midias-na-arte-contemporanea-Videoinstalacao.pdf\">PARTE 2<\/a><\/strong><\/span><span style=\"background-color: var(--bs-body-bg)\">\u00a0<\/span><\/p>\n<p><strong>\u00a0Terceira etapa:<\/strong><\/p>\n<ul>\n<li>Prova 4: Prova Oral (Defesa do Projeto de Pesquisa), com peso um (1,0)<\/li>\n<li>Cronograma Prova 4<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<div data-id=\"39c65df\" data-element_type=\"widget\" data-widget_type=\"wp-widget-text.default\">\n<p>Resultados<\/p>\n<\/div>\n<div data-id=\"39c65df\" data-element_type=\"widget\" data-widget_type=\"wp-widget-text.default\">\n<div>\n<ul>\n<li><strong>Primeira Etapa<\/strong><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2023\/12\/RESULTADO-PROVISORIO-ETAPA-1-MESTRADO.pdf\">Resultado Provis\u00f3rio<\/a><\/p>\n<p><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2023\/12\/RESULTADO-FINAL-ETAPA-1-MESTRADO.pdf\">Resultado Final<\/a><\/p>\n<ul>\n<li><strong>Segunda Etapa\u00a0<\/strong><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2023\/12\/RESULTADO-PROVISORIO-ETAPA-2-MESTRADO.pdf\">Resultado Provis\u00f3rio<\/a><\/p>\n<p><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2023\/12\/RESULTADO-FINAL-ETAPA-2-MESTRADO.pdf\">Resultado Final<\/a><\/p>\n<ul>\n<li><strong>Terceira Etapa<\/strong><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2024\/01\/CRONOGRAMA-PROVA-ORAL-MESTRADO.pdf\">Cronograma Proval Oral<\/a><\/p>\n<p><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2024\/01\/RESULTADO-PROVISORIO-ETAPA-3-MESTRADO.pdf\">Resultado Provis\u00f3rio<\/a><\/p>\n<p><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2024\/01\/RESULTADO-FINAL-ETAPA-3-MESTRADO.pdf\">Resultado Final<\/a><\/p>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4785d60 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4785d60\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-d876fe9\" data-id=\"d876fe9\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d278189 elementor-widget elementor-widget-wp-widget-text\" data-id=\"d278189\" data-element_type=\"widget\" data-widget_type=\"wp-widget-text.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h5>Doutorado em Artes Visuais<\/h5>\t\t\t<div class=\"textwidget\"><div data-id=\"f297ec9\" data-element_type=\"widget\" data-widget_type=\"wp-widget-text.default\">\n<div>\n<div>\n<p>O processo seletivo para\u00a0 ingresso no curso de doutorado \u00e9 realizado em tr\u00eas etapas, sendo cada etapa eliminat\u00f3ria. A nota m\u00ednima \u00a0para classifica\u00e7\u00e3o em cada prova \u00e9 sete (7,0).<\/p>\n<p><strong>Primeira etapa:<\/strong><\/p>\n<ul>\n<li>Prova 1: Projeto de Pesquisa, com peso tr\u00eas (3,0).<\/li>\n<li>Prova 2: Curr\u00edculo; Portf\u00f3lio Art\u00edstico ou Portf\u00f3lio Textos, com peso tr\u00eas (3,0).<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2023\/09\/PLANILHA-CURRICULO-DOUTORADO-2024-1.docx\"><b>PLANILHA DE AVALIA\u00c7\u00c3O DO CURR\u00cdCULO \u2013 doutorado<\/b>\u00a0<\/a><\/p>\n<p><strong>\u00a0<\/strong><strong>Segunda etapa:<\/strong><\/p>\n<ul>\n<li>Prova 3: Prova Escrita, peso tr\u00eas (3,0).<\/li>\n<li>Bibliografia indicada:<\/li>\n<\/ul>\n<p>AGAMBEN, Giorgio. <em>O que \u00e9 o contempor\u00e2neo e outros ensaios.<\/em> Chapec\u00f3: Argos, 2009. <a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2021\/04\/1-AGAMBEN-Giorgio.-O-que-e-o-contemporaneo-e-outros-ensaios.pdf\"><strong>PARTE \u00daNICA<\/strong><\/a><\/p>\n<p>ARCHER, Michael.\u00a0<em>Arte Contempor\u00e2nea: Uma hist\u00f3ria Concisa<\/em>. S\u00e3o Paulo: Martins Fontes, 2001. <a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2021\/04\/2-ARCHER-Michael.-Arte-Contemporanea-uma-historia-concisa.-36-83.pdf\"><strong>PARTE \u00daNICA<\/strong><\/a><\/p>\n<p>BASBAUM, Ricardo.\u00a0<em>Manual do artista-etc<\/em>. Rio de Janeiro: Azougue, 2013. <strong><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2021\/01\/3-BASBAUM-Ricardo.-Manual-do-artista-etc.2.pdf\"><span style=\"color: #0000ff\">PARTE 1<\/span><\/a> | <a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2021\/01\/3-BASBAUM-Ricardo.-Manual-do-artista-etc..pdf\"><span style=\"color: #0000ff\">PARTE 2<\/span><\/a><\/strong><\/p>\n<p>BEIGUELMAN, Giselle; MAGALH\u00c3ES, Ana Gon\u00e7alves (org.).\u00a0<em>Futuros Poss\u00edveis: arte, museu e arquivos digitais<\/em>. S\u00e3o Paulo: EDUSP, 2014. <strong><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2021\/01\/4-BEIGUELMAN-Giselle-MAGALHAES-Ana-Goncalves.-Futuros-Possiveis-arte-museu-e-arquivos-digitais-120-174.pdf\"><span style=\"color: #0000ff\">PARTE 1<\/span><\/a> | <a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2021\/01\/4-BEIGUELMAN-Giselle-MAGALHAES-Ana-Goncalves.-Futuros-Possiveis-arte-museu-e-arquivos-digitais-13-34.pdf\"><span style=\"color: #0000ff\">PARTE 2<\/span><\/a><\/strong><\/p>\n<p>BELTING, Hans.<em>\u00a0O fim da hist\u00f3ria da arte: uma revis\u00e3o dez anos depois.<\/em> S\u00e3o Paulo: Cosac &amp; Naify, 2006. <a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2021\/01\/5-BELTING-Hans.-O-fim-da-historia-da-arte-74-87.pdf\"><strong>PARTE \u00daNICA<\/strong><\/a><\/p>\n<p>DANTO, Arthur C.\u00a0<em>El abuso de La belleza<\/em>. Buenos Aires: PAID\u00d3S, 2005. <a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2021\/01\/11-DANTO-Arthur-C.-El-abuso-de-La-belleza.-181-202.pdf\"><strong>PARTE \u00daNICA<\/strong><\/a><\/p>\n<p><span style=\"font-size: revert\">FLUSSER, Vil\u00e9m. <\/span><em style=\"font-size: revert\">Filosofia da caixa preta: ensaios para uma futura filosofia da fotografia<\/em><span style=\"font-size: revert\">. Rio de Janeiro: Relume Dumar\u00e1, 2002. <\/span><a style=\"font-size: revert\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2023\/12\/7-FLUSSER-Vilem.-Filosofia-da-caixa-preta-ensaios-para-uma-futura-filosofia-da-fotografia.-8-82-parte-unica.pdf\"><strong>PARTE \u00daNICA<\/strong><\/a><\/p>\n<p>GRAU, Oliver.\u00a0<em>Arte virtual: Da ilus\u00e3o \u00e0 imers\u00e3o<\/em>. S\u00e3o Paulo: UNESP, 2007. <a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2021\/01\/9-GRAU-Oliver.-Arte-virtual-Da-ilusao-a-imersao-121-153-girado.pdf\"><strong>PARTE \u00daNICA<\/strong><\/a><\/p>\n<p>HALL, Stuart.\u00a0<em>A identidade cultural na p\u00f3s-modernidade<\/em>. Rio de Janeiro: DP&amp;A, 2006. <strong><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2021\/01\/10-HALL-Stuart.-A-identidade-cultural-na-pos-modernidade-7-22.pdf\"><span style=\"color: #0000ff\">PARTE 1<\/span><\/a> | <a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2021\/01\/10-HALL-Stuart.-A-identidade-cultural-na-pos-modernidade-77-98.pdf\"><span style=\"color: #0000ff\">PARTE 2<\/span><\/a><\/strong><\/p>\n<p><span style=\"background-color: var(--bs-body-bg)\">MANOVICH, Lev.\u00a0<\/span><em style=\"background-color: var(--bs-body-bg)\">El lenguaje de los nuevos m\u00e9dios de comunicaci\u00f3n.<\/em><span style=\"background-color: var(--bs-body-bg)\">\u00a0Buenos Aires: PAID\u00d3S, 2006.\u00a0 <\/span><a style=\"background-color: var(--bs-body-bg)\" href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2021\/01\/12-MANOVICH-Lev.-El-lenguaje-de-los-nuevos-medios-de-comunicacion-31-84-1.pdf\"><strong>PARTE \u00daNICA<\/strong><\/a><\/p>\n<p><strong>Terceira etapa:<\/strong><\/p>\n<ul>\n<li>Prova 4: Prova Oral (Defesa do Projeto de Pesquisa), com peso um (1,0).<\/li>\n<li>Cronograma Prova 4<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<div data-id=\"21e4a29\" data-element_type=\"widget\" data-widget_type=\"wp-widget-text.default\">\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<div data-id=\"e56704e\" data-element_type=\"widget\" data-widget_type=\"wp-widget-text.default\">\n<div>\n<h5>Resultado<\/h5>\n<div>\n<ul>\n<li><strong>Primeira Etapa\u00a0<\/strong><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2023\/12\/RESULTADO-PROVISORIO-ETAPA-1-DOUTORADO.pdf\">Resultado Provis\u00f3rio<\/a><\/p>\n<p><span style=\"background-color: var(--bs-body-bg)\"><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2023\/12\/RESULTADO-FINAL-ETAPA-1-DOUTORADO.pdf\">Resultado Final<\/a>\u00a0<\/span><\/p>\n<ul>\n<li><strong>Segunda Etapa\u00a0<\/strong><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2023\/12\/RESULTADO-PROVISORIO-ETAPA-2-DOUTORADO.pdf\">Resultado Provis\u00f3rio<\/a><\/p>\n<p><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2023\/12\/RESULTADO-FINAL-ETAPA-2-DOUTORADO.pdf\">Resultado Final<\/a><\/p>\n<ul>\n<li><strong>Terceira Etapa<\/strong><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2024\/01\/CRONOGRAMA-PROVA-ORAL-DOUTORADO.pdf\">Cronograma Prova Oral<\/a><\/p>\n<p><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2024\/01\/RESULTADO-PROVISORIO-ETAPA-3-DOUTORADO.pdf\">Resultado Provis\u00f3rio<\/a><\/p>\n<p><a href=\"https:\/\/www.ufsm.br\/app\/uploads\/sites\/529\/2024\/01\/RESULTADO-FINAL-ETAPA-3-DOUTORADO.pdf\">Resultado Final<\/a><\/p>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-aebfde6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"aebfde6\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-7a2b4ca\" data-id=\"7a2b4ca\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2660c6c elementor-widget elementor-widget-wp-widget-text\" data-id=\"2660c6c\" data-element_type=\"widget\" data-widget_type=\"wp-widget-text.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h5>Comiss\u00e3o Examinadora<\/h5>\t\t\t<div class=\"textwidget\"><p>Prof.\u00aa Dr.\u00aa Reinilda de F\u00e1tima Berguenmayer Minuzzi \u2013 382133 \u2013 DART\/UFSM (presidente);<br \/>\nProf. Dr. Altamir Moreira \u2013 1680573 \u2013 DART\/UFSM;<br \/>\nProf.\u00aa Dr.\u00aa Andreia Machado Oliveira \u2013 1851387 &#8211; DART\/UFSM<br \/>\nProf.\u00aa Dr.\u00aa Gisela Reis Biancalana \u2013 2213086 \u2013 DAC\/UFSM<br \/>\nProf.\u00aa Dr.\u00aa Karine Gomes Perez Vieira \u2013 2868776 \u2013 DART\/UFSM;<br \/>\nProf.\u00aa Dr.\u00aa Rebeca Lenize Stumm \u20131174475 \u2013 DART\/UFSM;<br \/>\nProf.\u00aa Dr.\u00aa Rosa Maria Blanca Cedillo \u2013 220909 \u2013 DART\/UFSM.<\/p>\n<p>Designados pela PORTARIA DE PESSOAL CAL\/UFSM<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-1caca08\" data-id=\"1caca08\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-67020c3 elementor-widget elementor-widget-wp-widget-text\" data-id=\"67020c3\" data-element_type=\"widget\" data-widget_type=\"wp-widget-text.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h5>Inscri\u00e7\u00f5es e Editais<\/h5>\t\t\t<div class=\"textwidget\"><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-31b19e9 elementor-view-default elementor-position-top elementor-mobile-position-top elementor-widget elementor-widget-icon-box\" data-id=\"31b19e9\" data-element_type=\"widget\" data-widget_type=\"icon-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-box-wrapper\">\n\n\t\t\t\t\t\t<div class=\"elementor-icon-box-icon\">\n\t\t\t\t<a href=\"https:\/\/www.ufsm.br\/pro-reitorias\/prpgp\/editais\/031-2023\" class=\"elementor-icon elementor-animation-\" tabindex=\"-1\">\n\t\t\t\t<i aria-hidden=\"true\" class=\"far fa-edit\"><\/i>\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"","protected":false},"author":820,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-1908","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgart\/wp-json\/wp\/v2\/pages\/1908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgart\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgart\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgart\/wp-json\/wp\/v2\/users\/820"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgart\/wp-json\/wp\/v2\/comments?post=1908"}],"version-history":[{"count":0,"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgart\/wp-json\/wp\/v2\/pages\/1908\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgart\/wp-json\/wp\/v2\/media?parent=1908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgart\/wp-json\/wp\/v2\/categories?post=1908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgart\/wp-json\/wp\/v2\/tags?post=1908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}