{"id":2331,"date":"2020-01-31T12:28:01","date_gmt":"2020-01-31T15:28:01","guid":{"rendered":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgletras\/?p=2331"},"modified":"2020-01-31T12:28:05","modified_gmt":"2020-01-31T15:28:05","slug":"cronograma-comunicacoes-v-selcir","status":"publish","type":"post","link":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgletras\/2020\/01\/31\/cronograma-comunicacoes-v-selcir","title":{"rendered":"Cronograma Comunica\u00e7\u00f5es V SELCIR"},"content":{"rendered":"\n

V SELCIR<\/strong><\/p>\n

Simp\u00f3sio 1<\/strong><\/p>\n

Testemunho e\u00a0Testimonio<\/i>:<\/strong><\/p>\n

problematiza\u00e7\u00e3o e procedimentos de investiga\u00e7\u00e3o<\/strong><\/p>\n

Coordenador:\u00a0 Elielson Figueiredo<\/p>\n

PR\u00c9DIO 40-B, SALA 1120<\/strong><\/p>\n

Dia 28\/11<\/strong><\/p>\n

Tarde<\/strong><\/p>\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

BibianaPertuzzati<\/p>\n<\/td>\n

\n

Literatura de testemunho e cr\u00edtica social: uma an\u00e1lise do romance\u00a0K: relato de uma busca,\u00a0<\/i>de Bernardo Kucinski<\/p>\n<\/td>\n

\n

14:00 \u00e0s 15:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

Luan Sanches<\/p>\n<\/td>\n

\n

Invent\u00e1rio dos Ausentes:\u00a0K<\/i>., narrativas inconclusas do que j\u00e1 aconteceu<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Luana Magalh\u00e3es Siqueira<\/p>\n<\/td>\n

\n

Literatura e ditadura militar no Brasil: Hist\u00f3ria, trauma e mem\u00f3ria em contos contempor\u00e2neos<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/p>\n

Dia 29\/11<\/strong><\/p>\n

Manh\u00e3<\/strong><\/p>\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

\u00c2ngela Socysnki da Costa<\/p>\n<\/td>\n

\n

Entre o ficcional e o documental: vers\u00f5es da desigualdade em\u00a0\u00d4nibus 174<\/i>\u00a0(2002), de Jos\u00e9 Padilha, e\u00a0\u00daltima Parada 174<\/i>\u00a0(2008), de Bruno Barreto<\/p>\n<\/td>\n

\n

9 \u00e0s 10:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

Mathias Paulus Link<\/p>\n<\/td>\n

\n

Vozes de sujeitos violentos em contos contempor\u00e2neos: da invisibilidade \u00e0 fala e \u00e0 estereotipia<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Elaine Maria Gracioli Rodrigues<\/p>\n<\/td>\n

\n

Paisagem e mem\u00f3ria na poesia de exilio de Rafael Alberti<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/p>\n

Tarde<\/strong><\/p>\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

I\u00fana Gabriellapaiva<\/p>\n<\/td>\n

\n

A contra-mem\u00f3ria narrativa em\u00a0Ainda estou aqui<\/i>, de Marcelo Rubens Paiva<\/p>\n<\/td>\n

\n

14 \u00e0s 15:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

Jordana CasselSteindorff<\/p>\n<\/td>\n

\n

O trauma geracional em\u00a0Amuleto<\/i>, de Roberto Bola\u00f1o<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Elielson Figueiredo<\/p>\n<\/td>\n

\n

Viol\u00eancia e fic\u00e7\u00e3o brasileira contempor\u00e2nea<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

Simp\u00f3sio 2<\/strong><\/p>\n

Literatura, Hist\u00f3ria e Intermidialidades<\/strong><\/p>\n

Coordenadores:\u00a0 Val\u00e9ria de Castro Fabr\u00edcio e Deivis Jhones Garlet<\/p>\n

PR\u00c9DIO 67 (AO LADO DA FATEC), SALA 1107<\/strong><\/p>\n

Dia 28\/11<\/strong><\/p>\n

Tarde<\/strong><\/p>\n\n\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

\u00a0\u00a0\u00a0 T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

Benise Albarello Rapachi<\/p>\n<\/td>\n

\n

Viol\u00eancia contra a mulher nos contos \u201cBaralho er\u00f3tico\u201d e \u201cOs negros olhos de Vivalma\u201d, de Mia Couto<\/p>\n<\/td>\n

\n

14 \u00e0s 15:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

Caio Mendes Apar\u00edcio Fernandes<\/p>\n<\/td>\n

\n

Resist\u00eancia na trag\u00e9dia de Hip\u00f3lito por Eur\u00edpedes, S\u00eaneca e Racine<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Roberto Medina<\/p>\n<\/td>\n

\n

A est\u00e9tica da viol\u00eancia: Carlos Saura, Ant\u00f4nio Gades e Federico Garc\u00eda Lorca \u2013 Bodas de Sangue<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Sim\u00e3o Cireneu Milani Add\u00f4r Nunes da Silva<\/p>\n<\/td>\n

\n

O p\u00f3s-humano, ciborgs e a (re)evolu\u00e7\u00e3o do corpo em Mega Man Maverick Hunter X<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/p>\n

Dia 29\/11<\/strong><\/p>\n

Tarde<\/strong><\/p>\n\n\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

Alcione Salete Dal’AlbaPilger<\/p>\n<\/td>\n

\n

Zero, uma obra fragmentada representada pela viol\u00eancia da Ditadura Militar –<\/p>\n<\/td>\n

\n

14 \u00e0s 15:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

Deivis Jhones Garlet<\/p>\n<\/td>\n

\n

Notas sobre a viol\u00eancia em Jos\u00e9 Saramago<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Leticia Sangaletti<\/p>\n<\/td>\n

\n

Hist\u00f3ria, cinema e literatura: intermidialidades em O amor de Pedro por Jo\u00e3o e O dia em que Dorival encarou a guarda<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Ana L\u00facia da Silva Piaia<\/p>\n<\/td>\n

\n

An\u00e1lise do filme \u201cO ano em que meus pais sa\u00edram de f\u00e9rias\u201d sob uma perspectiva infantil do per\u00edodo ditatorial brasileiro<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/p>\n

Dia 30\/11<\/strong><\/p>\n

Tarde<\/strong><\/p>\n\n\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

Tiago Lopes Schiffner<\/p>\n<\/td>\n

\n

Uma leitura de Paix\u00e3o segundo G. H.: conflitos e tens\u00f5es sociais em 1964<\/p>\n<\/td>\n

\n

14 \u00e0s 15:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

DimitriaJastes Fernandes<\/p>\n<\/td>\n

\n

Di\u00e1logo entre cinema e conto em Gabriel Garc\u00eda M\u00e1rquez –<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Sabrina Siqueira<\/p>\n<\/td>\n

\n

O ciclo burocr\u00e1tico na com\u00e9dia O capit\u00e3o de K\u00f6penick \u2013<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Lucas da Cunha Zamberlan<\/p>\n<\/td>\n

\n

Literatura e t\u00e9cnica: a emula\u00e7\u00e3o dos processos operacionais do mundo mecanizado em Path\u00e9-Baby, de Ant\u00f3nio de Alc\u00e2ntara Machado<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Simp\u00f3sio 3<\/strong><\/p>\n

G\u00eanero, identidade e autoritarismo<\/strong><\/p>\n

Coordenadores:\u00a0 Lizandro Calegari e Adriana Yokoyama<\/p>\n

AUDIT\u00d3RIO DO COL\u00c9GIO POLIT\u00c9CNICO<\/strong><\/p>\n

Dia 28\/11<\/strong><\/p>\n

Tarde<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

\u00a0\u00a0\u00a0 T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

Denise Almeida Silva e Ta\u00eds Levulis<\/p>\n<\/td>\n

\n

Crick crack monkey<\/i>: ativismo liter\u00e1rio\u00a0vs.<\/i>\u00a0Autoritarismo.<\/p>\n<\/td>\n

\n

14:00 \u00e0s 15:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

Andri\u00e9li Santos da Rosa<\/p>\n<\/td>\n

\n

Formas de resist\u00eancia ao sexismo na literatura afro-brasileira: uma leitura dos contos \u201cNatalina Soledad\u201d e \u201cMary Benedita\u201d, de Concei\u00e7\u00e3o Evaristo.<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Mathias Paulus Link<\/p>\n<\/td>\n

\n

Vozes de sujeitos violentos em contos contempor\u00e2neos: da invisibilidade \u00e0 fala e \u00e0 estereotipia<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Il\u00edria Fran\u00e7ois Wahlbrinck<\/p>\n<\/td>\n

\n

Reflex\u00f5es acerca do cuidar de si no conto \u201cA pairofsilkstockings<\/i>\u201d, de Kate Chopin.<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Luciane Figueiredo Pokulat<\/p>\n<\/td>\n

\n

A \u201chist\u00f3ria a contrapelo\u201d em Vista parcial da noite: revisitando a hist\u00f3ria da moderniza\u00e7\u00e3o nacional da d\u00e9cada de 1970.<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/p>\n

Dia 29\/11<\/strong><\/p>\n

Tarde<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

\u00a0\u00a0\u00a0 T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

Patr\u00edcia Freitas<\/p>\n<\/td>\n

\n

M\u00e1quina de oscilar, m\u00e1quina de guerrilha: imagens de insubordina\u00e7\u00e3o na poesia de Luiza Neto Jorge<\/p>\n<\/td>\n

\n

14:00 \u00e0s 15:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

Gabriel Silveira Martins<\/p>\n<\/td>\n

\n

Resist\u00eancia e representa\u00e7\u00f5es da prostitui\u00e7\u00e3o na obra de Pl\u00ednio Marcos<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Diego Ravarotto da Costa<\/p>\n<\/td>\n

\n

A pornografia como liberta\u00e7\u00e3o: resist\u00eancia aos construtos de g\u00eanero na narrativa das personagens Glauco Mattoso e Joe<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Sabrina Siqueira e Igor Costa e Lima<\/p>\n<\/td>\n

\n

Quest\u00f5es de alteridade e identidade no filme\u00a0A ca\u00e7a<\/i>, de Thomas Vinterberg (2013)<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Graziela Jacoby<\/p>\n<\/td>\n

\n

Viol\u00eancia contra a mulher: a literatura tamb\u00e9m denuncia<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Dia 30\/11<\/strong><\/p>\n

Manh\u00e3<\/strong><\/p>\n\n\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

\u00a0\u00a0\u00a0 T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

M\u00f4nica Dalcol<\/p>\n<\/td>\n

\n

A autoria feminina afro-brasileira como forma de resist\u00eancia \u00e0(s) viol\u00eancia(s)<\/p>\n<\/td>\n

\n

9:00 \u00e0s 10:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

Ariel Oliveira Leite de Souza<\/p>\n<\/td>\n

\n

A subvers\u00e3o dos estere\u00f3tipos associados a mulher negra na obra Olhos D’\u00e1gua de Concei\u00e7\u00e3o Evaristo<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Luciane Paim<\/p>\n<\/td>\n

\n

Duzu-queren\u00e7a, salinda e luamanda: tr\u00eas mulheres marcadas pela viol\u00eancia – uma representa\u00e7\u00e3o da viol\u00eancia contra a mulher em\u00a0olhos d’\u00e1gua<\/i>, de concei\u00e7\u00e3o Evaristo<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Luis Adriano de Souza<\/p>\n

Cezar<\/p>\n<\/td>\n

\n

Triste agora, logo desesperada, amanh\u00e3 resignada: a ancestralidade da submiss\u00e3o de Anast\u00e1cia Socorro em Relato de um certo Oriente<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/p>\n

Simp\u00f3sio 4<\/strong><\/p>\n

Perspectivas te\u00f3rico-metodol\u00f3gicas dos estudos comparativos e seus interst\u00edcios entre textos e m\u00eddias.<\/strong><\/p>\n

Coordenador:\u00a0 Edgar Gonz\u00e1lez Gal\u00e1n<\/p>\n

PR\u00c9DIO AO LADO DO COL\u00c9GIO POLIT\u00c9CNICO, SALA 16-1<\/strong><\/p>\n

Dia 28\/11\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n

Tarde<\/strong><\/p>\n\n\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

B\u00e1rbara Monique Monteiro Albuquerque<\/p>\n<\/td>\n

\n

A recep\u00e7\u00e3o controversa entre a narrativa de testemunho o que \u00e9 isso companheiro? e o filme hom\u00f4nimo: an\u00e1lise de artigos em peri\u00f3dicos<\/p>\n<\/td>\n

\n

14 \u00e0s 15:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

Marcelo Santos da Rosa<\/p>\n<\/td>\n

\n

A extrapola\u00e7\u00e3o das rela\u00e7\u00f5es virtuais em Black Mirror<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Ros\u00e2ngela Fachel de Medeiros<\/p>\n<\/td>\n

\n

A gamifica\u00e7\u00e3o da narrativa da telenovela em Velho Chico<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

La\u00edsaVeronezeBisol<\/p>\n<\/td>\n

\n

O muro como limite: metaforizando o espa\u00e7o das minorias sociais em \u201cUm animal menor\u201d e \u201cMuralhas da Inf\u00e2ncia\u201d<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/p>\n

Dia 29\/11<\/strong><\/p>\n

Manh\u00e3<\/strong><\/p>\n\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

Andrio J. R. dos Santos<\/p>\n<\/td>\n

\n

A tem\u00edvel simetria do vampiro: interst\u00edcio de significa\u00e7\u00e3o entre William Blake em Anne Rice<\/p>\n<\/td>\n

\n

9 \u00e0s 10:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

Talita Fran\u00e7ois Wahlbrinck<\/p>\n<\/td>\n

\n

Elas e suas tramas: protagonismo feminino em s\u00e9ries norte-americanas contempor\u00e2neas<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Janio Davila de Oliveira<\/p>\n<\/td>\n

\n

A metafic\u00e7\u00e3o no romance Budapeste e na sua adapta\u00e7\u00e3o f\u00edlmica<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Simp\u00f3sio 5<\/strong><\/p>\n

Escritas de si<\/i><\/strong>: entre a Mem\u00f3ria e a Hist\u00f3ria<\/strong><\/p>\n

Coordenadoras:\u00a0 Carla Lavorati e Mara L\u00facia B. Silva<\/p>\n

PR\u00c9DIO 40-B, SALA 1122<\/strong><\/p>\n

Dia 28\/11<\/strong><\/p>\n

Tarde<\/strong><\/p>\n\n\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

\u00a0\u00a0\u00a0 T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

Jo\u00e3o Paulo Massotti<\/p>\n<\/td>\n

\n

O discurso ideol\u00f3gico-nacionalista em cartilha distribu\u00edda pelo ex\u00e9rcito do RS durante o per\u00edodo ditatorial no Brasil<\/p>\n<\/td>\n

\n

14:00 \u00e0s 15:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

Camila de Souza Zancan<\/p>\n<\/td>\n

\n

O invent\u00e1rio das coisas ausentes: an\u00e1lise das rela\u00e7\u00f5es entre hist\u00f3ria e mem\u00f3ria<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Jacqueline Augusta Leite de Lima<\/p>\n<\/td>\n

\n

As mnemot\u00e9cnicas como ferramentas de resist\u00eancia na obra\u00a0El pais de la canela<\/i>\u00a0(2008)<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

LisianeSeligmann<\/p>\n<\/td>\n

\n

A mem\u00f3ria e o testemunho em\u00a0Maus<\/i>, de ArtSpigelman<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/p>\n

AUDIT\u00d3RIO DO PR\u00c9DIO 67, AO LADO DA FATEC<\/strong><\/p>\n

Dia 29\/11<\/strong><\/p>\n

Manh\u00e3<\/strong><\/p>\n\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

\u00a0\u00a0\u00a0 T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

Larissa Elleres de Sousa<\/p>\n<\/td>\n

\n

Rotas do Imagin\u00e1rio Medieval na Obra\u00a0Cronista do Descobrimento Historia General y Natural de lasIndias<\/i><\/p>\n<\/td>\n

\n

9:00 \u00e0s 10:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

Francisco Jos\u00e9 Corr\u00eaa de Ara\u00fajo<\/p>\n<\/td>\n

\n

Espelho… Espelho meu: altera\u00e7\u00e3o da imagem corporal e a rela\u00e7\u00e3o entre representa\u00e7\u00e3o de morte e aids em Caio Fernando Abreu<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Luana Isabel Silva de Assis<\/p>\n<\/td>\n

\n

A fun\u00e7\u00e3o da mem\u00f3ria na narrativa testemunhal\u00a0Conversaci\u00f3n al sur<\/i>, de Marta Traba<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Tarde<\/strong><\/p>\n\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

\u00a0\u00a0\u00a0 T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

Ana Cl\u00e1udia de Oliveira da Silva<\/p>\n<\/td>\n

\n

As escritas de si e a emerg\u00eancia da autofic\u00e7\u00e3o: um campo de indefini\u00e7\u00f5es<\/p>\n<\/td>\n

\n

14 \u00e0s 15:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

Rafael Guimar\u00e3es<\/p>\n<\/td>\n

\n

A escrita do eu e as tens\u00f5es entre o local e o global em\u00a0Una vez Argentina<\/i>, de Andr\u00e9s Neuman<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Cristiane Checchia<\/p>\n<\/td>\n

\n

Do filme ao livro, do livro \u00e0 vida, da vida ao filme\u2026 literatura e cinema em Alberto Fuguet<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Dia 30\/11<\/strong><\/p>\n

Tare<\/strong><\/p>\n\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

\u00a0\u00a0\u00a0 T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

Izabel Luizi Santos Colling<\/p>\n<\/td>\n

\n

All\u00e1lejos…O ex\u00edlio como um n\u00e3o lugar na literatura hispano-americana<\/p>\n<\/td>\n

\n

14 \u00e0s 15:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

Luciano Melo de Paula<\/p>\n<\/td>\n

\n

As mem\u00f3rias fragment\u00e1rias de Alfredo D\u2019Escragnolle Taunay e as reivindica\u00e7\u00f5es de legitimidade liter\u00e1ria<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Marcela Ferreira Lopes e M\u00e1rdel Pereira dos Santos<\/p>\n<\/td>\n

\n

Escritas de si em narrativas audiovisuais: o document\u00e1rio \u201cmuito al\u00e9m da vis\u00e3o\u201d<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Simp\u00f3sio 6<\/strong><\/p>\n

Literatura, resist\u00eancia e p\u00f3s-colonialismo<\/strong><\/p>\n

Coordenador:\u00a0 Chimica Francisco<\/p>\n

PR\u00c9DIO 40-B, SALA 1125<\/strong><\/p>\n

Dia 28\/11\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n

Tarde<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n
\n

Autor<\/p>\n<\/td>\n

\n

\u00a0\u00a0\u00a0 T\u00edtulo da comunica\u00e7\u00e3o<\/p>\n<\/td>\n

\n

Hor\u00e1rio<\/p>\n<\/td>\n<\/tr>\n

\n

Son\u00ed Pacheco de Moura<\/p>\n<\/td>\n

\n

A hora dos ruminantes: viol\u00eancia e repress\u00e3o na literatura brasileira<\/p>\n<\/td>\n

\n

14 \u00e0s 15:30 h<\/p>\n<\/td>\n<\/tr>\n

\n

Emanoeli Ballin Picolotto<\/p>\n<\/td>\n

\n

Uma literatura de resist\u00eancia em vinte e zinco, de Mia Couto<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Diego Bonatti<\/p>\n<\/td>\n

\n

\u201cThe emptypram\u201d de Andrea Levy: o preconceito d\u00e1 boas vindas<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

Eduardo Garlet<\/p>\n<\/td>\n

\n

Sociedade p\u00f3s-coloniale condi\u00e7\u00e3o feminina; leitura de contos de mia couto<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\n

JoseanaStringini da Rosa<\/p>\n<\/td>\n

\n

Mariamar e Imani: a escrita e o dom\u00ednio de l\u00ednguas como mecanismos de resist\u00eancia<\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

V SELCIR Simp\u00f3sio 1 Testemunho e\u00a0Testimonio: problematiza\u00e7\u00e3o e procedimentos de investiga\u00e7\u00e3o Coordenador:\u00a0 Elielson Figueiredo PR\u00c9DIO 40-B, SALA 1120 Dia 28\/11 Tarde Autor T\u00edtulo da comunica\u00e7\u00e3o Hor\u00e1rio BibianaPertuzzati Literatura de testemunho e cr\u00edtica social: uma an\u00e1lise do romance\u00a0K: relato de uma busca,\u00a0de Bernardo Kucinski 14:00 \u00e0s 15:30 h Luan Sanches Invent\u00e1rio dos Ausentes:\u00a0K., narrativas inconclusas do […]<\/p>\n","protected":false},"author":867,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[100,102,98],"class_list":["post-2331","post","type-post","status-publish","format-standard","hentry","category-noticias","tag-grupos","tag-grupos-pesquisa","tag-liteautor"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgletras\/wp-json\/wp\/v2\/posts\/2331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgletras\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgletras\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgletras\/wp-json\/wp\/v2\/users\/867"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgletras\/wp-json\/wp\/v2\/comments?post=2331"}],"version-history":[{"count":0,"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgletras\/wp-json\/wp\/v2\/posts\/2331\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgletras\/wp-json\/wp\/v2\/media?parent=2331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgletras\/wp-json\/wp\/v2\/categories?post=2331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufsm.br\/cursos\/pos-graduacao\/santa-maria\/ppgletras\/wp-json\/wp\/v2\/tags?post=2331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}