{"id":189,"date":"2018-09-18T12:49:06","date_gmt":"2018-09-18T15:49:06","guid":{"rendered":"https:\/\/www.ufsm.br\/editoras\/pecom\/?p=189"},"modified":"2019-09-03T12:49:50","modified_gmt":"2019-09-03T15:49:50","slug":"homologacao-estudos-editoriais-volume-ii","status":"publish","type":"post","link":"https:\/\/www.ufsm.br\/editoras\/pecom\/2018\/09\/18\/homologacao-estudos-editoriais-volume-ii","title":{"rendered":"HOMOLOGA\u00c7\u00c3O &#8211; Estudos Editoriais Volume II"},"content":{"rendered":"\n<p>UNIVERSIDADE FEDERAL DE SANTA MARIA<\/p>\n<p>DEPARTAMENTO DE CI\u00caNCIAS DA COMUNICA\u00c7\u00c3O<\/p>\n<p>CURSO DE COMUNICA\u00c7\u00c3O SOCIAL &#8211; PRODU\u00c7\u00c3O EDITORIAL<\/p>\n<p>EDITORA EXPERIMENTAL PE.COM UFSM<\/p>\n<p>Edital 01\/2018<\/p>\n<p>Homologa\u00e7\u00e3o &#8211; Estudos Editoriais Vol. 2<\/p>\n<table border=\"1\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"220\"><strong>Originais<\/strong><\/td>\n<td valign=\"top\" width=\"203\"><strong>Autor (a)<\/strong><\/td>\n<td valign=\"top\" width=\"180\"><strong>Orientador (a)<\/strong><\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"220\">MINHA VIAGEM PELA ARTE MODERNA: LIVROS DE ARTE PARA CRIAN\u00c7AS<\/td>\n<td valign=\"top\" width=\"203\">\n<p>Alana Zavareze Anillo<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<\/td>\n<td valign=\"top\" width=\"180\">Mar\u00edlia de Araujo Barcellos<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"220\">OS CAMINHOS DO R\u00c1DIO E DA M\u00daSICA\u00a0<em>UNDERGROUND<\/em>\u00a0NA ERA DA INTERNET: UM ESTUDO DAS R\u00c1DIOS ANTENA ZERO, PUTZ GRILA E ARMAZ\u00c9M<\/td>\n<td valign=\"top\" width=\"203\">Andressa do Amaral<\/td>\n<td valign=\"top\" width=\"180\">Rosane Rosa<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"220\">UM CASO DE EMPODERAMENTO FEMININO NA LITERATURA DE CAROLINA MARIA DE JESUS EM QUARTO DE DESPEJO \u2013 DI\u00c1RIO DE UMA FAVELADA<\/td>\n<td valign=\"top\" width=\"203\">Carolina Arend Giacomini<\/td>\n<td valign=\"top\" width=\"180\">Mar\u00edlia de Araujo Barcellos<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"220\"><em>ENCHANCED PUBLICATIONS<\/em>: AMPLIANDO A VISIBILIDADE DAS PUBLICA\u00c7\u00d5ES CIENT\u00cdFICAS<\/td>\n<td valign=\"top\" width=\"203\">Edilaine de Avila<\/td>\n<td valign=\"top\" width=\"180\">Cl\u00e1udia Regina Ziliotto Bomf\u00e1<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"220\">ESTRAT\u00c9GIAS PARA APRESENTAR TEM\u00c1TICAS EM INTERFACE COM A CI\u00caNCIA EM NARRATIVAS DE FIC\u00c7\u00c3O CIENT\u00cdFICA<\/td>\n<td valign=\"top\" width=\"203\">Emanuelly Vargas<\/td>\n<td valign=\"top\" width=\"180\">Leandro Stevens<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"220\">UMA BREVE REFLEX\u00c3O SOBRE O PAPEL HIST\u00d3RICO DA MULHER NO MERCADO EDITORIAL DAS HQ\u2019S<\/td>\n<td valign=\"top\" width=\"203\">Francielle Fanaya R\u00e9quia<\/td>\n<td valign=\"top\" width=\"180\">Liliane Dutra Brignol<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"220\">AS CORES CONTAM HIST\u00d3RIAS: A SIGNIFICA\u00c7\u00c3O DO VERMELHO NO CINEMA<\/td>\n<td valign=\"top\" width=\"203\">Gabriela Barreto<\/td>\n<td valign=\"top\" width=\"180\">Leandro Stevens<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"220\">ISTO N\u00c3O \u00c9 UM LIVRO: UMA PROPOSTA DE MATERIAL SUPLEMENTAR DE F\u00cdSICA<\/td>\n<td valign=\"top\" width=\"203\">Jamille Marin Coletto e Sara Tessele Gonz\u00e1lez<\/td>\n<td valign=\"top\" width=\"180\">Sandra Depexe<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"220\">#GAMERGATE CONTROVERSY: O DISCURSO DE \u00d3DIO BIOPOL\u00cdTICO NO UNIVERSO GAMER<\/td>\n<td valign=\"top\" width=\"203\">Leandra Cohen<\/td>\n<td valign=\"top\" width=\"180\">Aline Roes Dalmolin<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"220\">#FORTALE\u00c7ASUACENALOCAL: O USO DE M\u00cdDIAIS SOCIAIS PELOS RAPPERS DE SANTA MARIA<\/td>\n<td valign=\"top\" width=\"203\">Luciana Minuzzi<\/td>\n<td valign=\"top\" width=\"180\">Sandra R\u00fabia da Silva<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"220\">CAPRICHO WEEK: A RECEP\u00c7\u00c3O DA REVISTA EM SUAS M\u00daLTIPLAS PLATAFORMAS<\/td>\n<td valign=\"top\" width=\"203\">Maritcheli de Almeida Vieira<\/td>\n<td valign=\"top\" width=\"180\">Liliane Dutra Brignol<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"220\">IMPERATRIZ FURIOSA: PROTAGONISMO FEMININO E IDENTIDADE DE G\u00caNERO<\/td>\n<td valign=\"top\" width=\"203\">Rafaela Ribeiro Chagas<\/td>\n<td valign=\"top\" width=\"180\">Sandra Depexe<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"220\">AS NARRATIVAS TRANSMIDI\u00c1TICAS NA CULTURA PARTICIPATIVA DO F\u00c3: UM ESTUDO DO CANAL NOSTALGIA NO YOUTUBE<\/td>\n<td valign=\"top\" width=\"203\">S\u00edlvia Let\u00edcia dos Reis Rengel<\/td>\n<td valign=\"top\" width=\"180\">Aline Roes Dalmolin<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Att.<\/p>\n<p>Mar\u00edlia de Araujo Barcellos<\/p>\n<p>SIAPE 1873940<\/p>\n<p>Coordena\u00e7\u00e3o projeto extens\u00e3o Editora Experimental do Curso de Comunica\u00e7\u00e3o Social &#8211; Produ\u00e7\u00e3o Editorial pE.comUFSM<\/p>\n","protected":false},"excerpt":{"rendered":"<p>UNIVERSIDADE FEDERAL DE SANTA MARIA<\/p>\n<p>DEPARTAMENTO DE CI\u00caNCIAS DA COMUNICA\u00c7\u00c3O<\/p>\n<p>CURSO DE COMUNICA\u00c7\u00c3O SOCIAL &#8211; PRODU\u00c7\u00c3O EDITORIAL<\/p>\n<p>EDITORA EXPERIMENTAL PE.COM UFSM<\/p>\n<p>Edital 01\/2018<\/p>\n<p>Homologa\u00e7\u00e3o &#8211; Estudos Editoriais Vol. 2<\/p>\n","protected":false},"author":115,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-189","post","type-post","status-publish","format-standard","hentry","category-noticias"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ufsm.br\/editoras\/pecom\/wp-json\/wp\/v2\/posts\/189","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufsm.br\/editoras\/pecom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufsm.br\/editoras\/pecom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/editoras\/pecom\/wp-json\/wp\/v2\/users\/115"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/editoras\/pecom\/wp-json\/wp\/v2\/comments?post=189"}],"version-history":[{"count":0,"href":"https:\/\/www.ufsm.br\/editoras\/pecom\/wp-json\/wp\/v2\/posts\/189\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.ufsm.br\/editoras\/pecom\/wp-json\/wp\/v2\/media?parent=189"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufsm.br\/editoras\/pecom\/wp-json\/wp\/v2\/categories?post=189"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufsm.br\/editoras\/pecom\/wp-json\/wp\/v2\/tags?post=189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}