{"id":2208,"date":"2023-06-14T15:47:27","date_gmt":"2023-06-14T18:47:27","guid":{"rendered":"https:\/\/www.ufsm.br\/laboratorios\/labart\/?page_id=2208"},"modified":"2024-05-15T17:16:17","modified_gmt":"2024-05-15T20:16:17","slug":"dissertacoes","status":"publish","type":"page","link":"https:\/\/www.ufsm.br\/laboratorios\/labart\/dissertacoes","title":{"rendered":"Disserta\u00e7\u00f5es"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"2208\" class=\"elementor elementor-2208\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4a54e32 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4a54e32\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-656eb9e\" data-id=\"656eb9e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-458ed36 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"458ed36\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Daniel Jaenisch Lopes<\/strong><\/p><p><a href=\"https:\/\/repositorio.ufsm.br\/handle\/1\/29025\">O DISPOSITIVO DE MEDIA\u00c7\u00c3O NO FACTORS 7.0: EXPERIMENTA\u00c7\u00d5ES NO AMBIENTE DIGITAL.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7f4a784 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"7f4a784\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2020-2022<\/p><p>Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c2f0675 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c2f0675\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-2a1a04c\" data-id=\"2a1a04c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-74903b3 elementor-widget elementor-widget-text-editor\" data-id=\"74903b3\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Natascha Rosa de Carvalho<\/strong><\/p><p>PROJETOS CURATORIAIS NA ARTE CONTEMPOR\u00c2NEA: UM ESTUDO SOBRE A BIENALSUR E SUAS ESTRAT\u00c9GIAS EM ARTE E TECNOLOGIA.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-7eab3c4\" data-id=\"7eab3c4\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-bf5fbb6 elementor-widget elementor-widget-text-editor\" data-id=\"bf5fbb6\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2018-2020<\/p><p>Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-ee09541 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ee09541\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-e54f33a\" data-id=\"e54f33a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ece393c elementor-widget elementor-widget-text-editor\" data-id=\"ece393c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Cristina Landerdahl<\/strong><\/p><p><a href=\"https:\/\/repositorio.ufsm.br\/bitstream\/handle\/1\/19322\/DIS_PPGAV_2019_DALLA_COSTA_CRISTINA.pdf?sequence=1&amp;isAllowed=y\" target=\"_blank\" rel=\"noopener\">ARTE DIGITAL NA CONTEMPORANEIDADE: DESAFIOS PARA PRESERVA\u00c7\u00c3O E ARQUIVAMENTO.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-892dad0\" data-id=\"892dad0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e466830 elementor-widget elementor-widget-text-editor\" data-id=\"e466830\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2017-2019<\/p><p>Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6e6720b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6e6720b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-a71a16f\" data-id=\"a71a16f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-82c1c09 elementor-widget elementor-widget-text-editor\" data-id=\"82c1c09\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Rittiele Quaiatto<\/strong><\/p><p><a href=\"https:\/\/repositorio.ufsm.br\/bitstream\/handle\/1\/19302\/DIS_PPGAV_2019_QUAIATTO_RITTIELI.pdf?sequence=1\">DO ESPA\u00c7O EXPOSITIVO \u00c0 MEDIA\u00c7\u00c3O EM ARTE E TECNOLOGIA: ESTUDO DE CASO DO FACTORS.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-39fc183\" data-id=\"39fc183\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6e91cc7 elementor-widget elementor-widget-text-editor\" data-id=\"6e91cc7\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2017-2019<\/p><p>Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f10f494 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f10f494\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-ca71a5f\" data-id=\"ca71a5f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e109e9b elementor-widget elementor-widget-text-editor\" data-id=\"e109e9b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Raul Dotto Rosa<\/strong><\/p><p><a href=\"http:\/\/repositorio.ufsm.br\/handle\/1\/14494\" target=\"_blank\" rel=\"noopener\">ESPA\u00c7OS TRANSFORMADOS: A EXPERI\u00caNCIA DA INSTALA\u00c7\u00c3O E O DISPOSITIVO PO\u00c9TICO.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-fa80cba\" data-id=\"fa80cba\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-859a073 elementor-widget elementor-widget-text-editor\" data-id=\"859a073\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2016-2018<\/p><p>Po\u00e9ticas Visuais<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-155dbfb elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"155dbfb\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-5460277\" data-id=\"5460277\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-63210e4 elementor-widget elementor-widget-text-editor\" data-id=\"63210e4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Walesca Timen<\/strong><\/p><p><a href=\"http:\/\/repositorio.ufsm.br\/handle\/1\/14493\">CORPO-DEVIR: MULTIPLICIDADE DE LINGUAGENS NA PO\u00c9TICA EM FOTOGRAFIA E V\u00cdDEO.\u00a0<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-7106288\" data-id=\"7106288\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9656f70 elementor-widget elementor-widget-text-editor\" data-id=\"9656f70\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2016-2018<\/p><p>Po\u00e9ticas Visuais<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b28efa2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b28efa2\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-946520a\" data-id=\"946520a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0b6f205 elementor-widget elementor-widget-text-editor\" data-id=\"0b6f205\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Andrea Capssa<\/strong><\/p><p><a href=\"http:\/\/repositorio.ufsm.br\/handle\/1\/5244\" target=\"_blank\" rel=\"noopener\">CONSIDERA\u00c7\u00d5ES SOBRE AS GALERIAS VIRTUAIS E SUAS RELA\u00c7\u00d5ES COMO O MERCADO DE ARTE.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-d9244a8\" data-id=\"d9244a8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-347817c elementor-widget elementor-widget-text-editor\" data-id=\"347817c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2015-2017<\/p><p>Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7014a7d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7014a7d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-4359e1e\" data-id=\"4359e1e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-bfdf7d1 elementor-widget elementor-widget-text-editor\" data-id=\"bfdf7d1\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Giovana Casimiro Graziosi<\/strong><\/p><p><a href=\"http:\/\/repositorio.ufsm.br\/handle\/1\/5239\" target=\"_blank\" rel=\"noopener\">REALIDADE MISTA E MEIO EXPOSITIVO NA ARTE CONTEMPOR\u00c2NEA: INSITU&lt;&gt;INFLUXU.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-4e18656\" data-id=\"4e18656\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d1406a4 elementor-widget elementor-widget-text-editor\" data-id=\"d1406a4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2015-2017<\/p><p>Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-65184ed elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"65184ed\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-138ba32\" data-id=\"138ba32\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-604bd22 elementor-widget elementor-widget-text-editor\" data-id=\"604bd22\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Val\u00e9ria Boelter<\/strong><\/p><p><a href=\"http:\/\/repositorio.ufsm.br\/handle\/1\/5241\" target=\"_blank\" rel=\"noopener\">EXPOGRAFIA NA CONTEMPORANEIDADE: PROPOSTAS EM ARTE E TECNOLOGIA DIGITAL.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-787d041\" data-id=\"787d041\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8a277d2 elementor-widget elementor-widget-text-editor\" data-id=\"8a277d2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2015-2017<\/p><p>Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f13cfc4 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f13cfc4\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-7c83a8e\" data-id=\"7c83a8e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-fd2a72e elementor-widget elementor-widget-text-editor\" data-id=\"fd2a72e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Carlos Alberto Donaduzzi<\/strong><\/p><p><a href=\"http:\/\/repositorio.ufsm.br\/handle\/1\/5224\" target=\"_blank\" rel=\"noopener\">FOTOGRAFIA SUBMERSA: CENAS COTIDIANAS FICCIONAIS.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-ee35fed\" data-id=\"ee35fed\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2d419c7 elementor-widget elementor-widget-text-editor\" data-id=\"2d419c7\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2012-2014<\/p><p>Po\u00e9ticas Visuais<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-21f4cb9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"21f4cb9\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-b261899\" data-id=\"b261899\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-88288a3 elementor-widget elementor-widget-text-editor\" data-id=\"88288a3\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Anelise Witt<\/strong><\/p><p><a href=\"http:\/\/repositorio.ufsm.br\/handle\/1\/5215\" target=\"_blank\" rel=\"noopener\">GAMEARTE: SUBVERS\u00c3O E DIVERS\u00c3O NA ARTE CONTEMPOR\u00c2NEA.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-2f07422\" data-id=\"2f07422\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d1c1cee elementor-widget elementor-widget-text-editor\" data-id=\"d1c1cee\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2011-2014<\/p><p>Po\u00e9ticas Visuais<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d6b6b82 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d6b6b82\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-87c34e2\" data-id=\"87c34e2\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-62aa226 elementor-widget elementor-widget-text-editor\" data-id=\"62aa226\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Manoela Freitas Vares<\/strong><\/p><p><a href=\"http:\/\/repositorio.ufsm.br\/handle\/1\/5217\" target=\"_blank\" rel=\"noopener\">CIBORGUE: UMA CONCEP\u00c7\u00c3O DO CORPO NA ARTE CONTEMPOR\u00c2NEA.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-41f1e14\" data-id=\"41f1e14\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b783892 elementor-widget elementor-widget-text-editor\" data-id=\"b783892\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2011-2013<\/p><p>Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a37a7a6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a37a7a6\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-f00292a\" data-id=\"f00292a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f4cd1b4 elementor-widget elementor-widget-text-editor\" data-id=\"f4cd1b4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>D\u00e9bora Aita Gasparetto<\/strong><\/p><p><a href=\"http:\/\/repositorio.ufsm.br\/handle\/1\/5209\" target=\"_blank\" rel=\"noopener\">ARTE DIGITAL E CIRCUITO EXPOSITIVO: UM CURTO EM TORNO DO FILE.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-d64541a\" data-id=\"d64541a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-870b954 elementor-widget elementor-widget-text-editor\" data-id=\"870b954\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2010-2012<\/p><p>Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1777c45 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1777c45\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-9756696\" data-id=\"9756696\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8969701 elementor-widget elementor-widget-text-editor\" data-id=\"8969701\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Henrique Telles Neto<\/strong><\/p><p><a href=\"http:\/\/repositorio.ufsm.br\/handle\/1\/5208\" target=\"_blank\" rel=\"noopener\">INTERDISCIPLINARIEDADE EM ARTE, CI\u00caNCIA E TECNOLOGIA: SCIARTS.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-1041041\" data-id=\"1041041\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f11b846 elementor-widget elementor-widget-text-editor\" data-id=\"f11b846\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2010-2012<\/p><p>Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7c2600b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7c2600b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-c70ac26\" data-id=\"c70ac26\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4b7a69e elementor-widget elementor-widget-text-editor\" data-id=\"4b7a69e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Greice Antolini Silveira<\/strong><\/p><p><a href=\"http:\/\/repositorio.ufsm.br\/handle\/1\/5199\" target=\"_blank\" rel=\"noopener\">IMERS\u00c3O: SENSA\u00c7\u00c3O REDIMENSIONADA PELAS TECNOLOGIAS DIGITAIS NA ARTE CONTEMPOR\u00c2NEA.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-fc9c86e\" data-id=\"fc9c86e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f6e84a8 elementor-widget elementor-widget-text-editor\" data-id=\"f6e84a8\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2009-2011<\/p><p>Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-afd56d2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"afd56d2\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-022dd61\" data-id=\"022dd61\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d3f0d4f elementor-widget elementor-widget-text-editor\" data-id=\"d3f0d4f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Fernando Codevilla<\/strong><\/p><p><a href=\"http:\/\/repositorio.ufsm.br\/handle\/1\/5203\" target=\"_blank\" rel=\"noopener\">VIDEO-PERFORMANCE: PROCESSOS COM O AUDIOVISUAL EM TEMPO REAL.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-9e16529\" data-id=\"9e16529\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-187b46a elementor-widget elementor-widget-text-editor\" data-id=\"187b46a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2009-2011<\/p><p>Po\u00e9ticas Visuais<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-93b7576 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"93b7576\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-3d2dfcb\" data-id=\"3d2dfcb\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cd63c2c elementor-widget elementor-widget-text-editor\" data-id=\"cd63c2c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Claudia Loch<\/strong><\/p><p><a href=\"http:\/\/repositorio.ufsm.br\/handle\/1\/5194\" target=\"_blank\" rel=\"noopener\">NO LABIRINTO DA URBIS AO CIBERESPA\u00c7O: UMA PO\u00c9TICA DIGITAL.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-725a578\" data-id=\"725a578\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-99563c2 elementor-widget elementor-widget-text-editor\" data-id=\"99563c2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2008-2010<\/p><p>Po\u00e9ticas Visuais<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6228d34 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6228d34\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-4314ca2\" data-id=\"4314ca2\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-99e60b7 elementor-widget elementor-widget-text-editor\" data-id=\"99e60b7\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Fabiane Sartoretto Pavin<\/strong><\/p><p><a href=\"http:\/\/repositorio.ufsm.br\/handle\/1\/5193\" target=\"_blank\" rel=\"noopener\">PROCESSOS H\u00cdBRIDOS NA PO\u00c9TICA DE SANDRA REY: UM ESTUDO A PARTIR DE \u201cSOFT DREAMS\u201d E \u201cDESDOBRAMENTOS DA PAISAGEM\u201d.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-1ba9578\" data-id=\"1ba9578\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d1157aa elementor-widget elementor-widget-text-editor\" data-id=\"d1157aa\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><span style=\"color: #000000;font-size: 1rem;font-weight: var( --e-global-typography-text-font-weight );text-align: var(--bs-body-text-align)\">2008-2010<\/span><\/p><p><span style=\"color: #000000;font-size: 1rem;font-weight: var( --e-global-typography-text-font-weight );text-align: var(--bs-body-text-align)\">Hist\u00f3ria, Teoria e Cr\u00edtica<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-bb1490d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"bb1490d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-caea5b8\" data-id=\"caea5b8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1e570ed elementor-widget elementor-widget-text-editor\" data-id=\"1e570ed\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Franciele Filipini dos Santos<\/strong><\/p><p><a href=\"http:\/\/repositorio.ufsm.br\/handle\/1\/5182\" target=\"_blank\" rel=\"noopener\">O CIBERESPA\u00c7O E O AMBIENTE VIRTUAL DA BIENAL DO MERCOSUL: POSS\u00cdVEL ESPA\u00c7O DE CRIA\u00c7\u00c3O\/EXPOSI\u00c7\u00c3O.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-6cb5037\" data-id=\"6cb5037\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-17ea24c elementor-widget elementor-widget-text-editor\" data-id=\"17ea24c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>2007-2009<\/p><p>Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Daniel Jaenisch Lopes O DISPOSITIVO DE MEDIA\u00c7\u00c3O NO FACTORS 7.0: EXPERIMENTA\u00c7\u00d5ES NO AMBIENTE DIGITAL. 2020-2022 Hist\u00f3ria, Teoria e Cr\u00edtica Natascha Rosa de Carvalho PROJETOS CURATORIAIS NA ARTE CONTEMPOR\u00c2NEA: UM ESTUDO SOBRE A BIENALSUR E SUAS ESTRAT\u00c9GIAS EM ARTE E TECNOLOGIA. 2018-2020 Hist\u00f3ria, Teoria e Cr\u00edtica Cristina Landerdahl ARTE DIGITAL NA CONTEMPORANEIDADE: DESAFIOS PARA PRESERVA\u00c7\u00c3O E [&hellip;]<\/p>\n","protected":false},"author":1884,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-2208","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ufsm.br\/laboratorios\/labart\/wp-json\/wp\/v2\/pages\/2208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufsm.br\/laboratorios\/labart\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ufsm.br\/laboratorios\/labart\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/laboratorios\/labart\/wp-json\/wp\/v2\/users\/1884"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/laboratorios\/labart\/wp-json\/wp\/v2\/comments?post=2208"}],"version-history":[{"count":0,"href":"https:\/\/www.ufsm.br\/laboratorios\/labart\/wp-json\/wp\/v2\/pages\/2208\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.ufsm.br\/laboratorios\/labart\/wp-json\/wp\/v2\/media?parent=2208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufsm.br\/laboratorios\/labart\/wp-json\/wp\/v2\/categories?post=2208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufsm.br\/laboratorios\/labart\/wp-json\/wp\/v2\/tags?post=2208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}