{"id":636,"date":"2020-11-12T10:21:42","date_gmt":"2020-11-12T13:21:42","guid":{"rendered":"https:\/\/www.ufsm.br\/outros-orgaos\/cc\/?page_id=636"},"modified":"2020-11-16T08:48:58","modified_gmt":"2020-11-16T11:48:58","slug":"aproxsimacoes","status":"publish","type":"page","link":"https:\/\/www.ufsm.br\/outros-orgaos\/cc\/galeria-virtual\/aproxsimacoes","title":{"rendered":"Aprox(Si)ma\u00e7\u00f5es: visualidades afro-brasileiras"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"636\" class=\"elementor elementor-636\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-90abc7b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"90abc7b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7fcd539\" data-id=\"7fcd539\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1f87e9e elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"1f87e9e\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4d6783c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4d6783c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-9ec1ca9\" data-id=\"9ec1ca9\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8ca37cb elementor-widget elementor-widget-text-editor\" data-id=\"8ca37cb\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>A artista Thais Oliveira da Rosa nos apresenta uma po\u00e9tica intitulada &#8220;Aprox(Si)ma\u00e7\u00f5es: visualidades afro-brasileiras\u201d, no Centro de Conven\u00e7\u00f5es. Thais problematiza a no\u00e7\u00e3o de autenticidade como identidade, ao ressignificar fotografias do s\u00e9culo XIX, antepondo a sua pr\u00f3pria sensibilidade.<\/p><p>A linguagem oscila entre a gravura e a pintura, desconstruindo a ilus\u00e3o da defini\u00e7\u00e3o.<\/p><p>As indetermina\u00e7\u00f5es se sucedem silenciosas.<\/p><p>O conjunto das imagens navegam entre a documenta\u00e7\u00e3o da hist\u00f3ria e a realidade da fic\u00e7\u00e3o.<\/p><p>A exposi\u00e7\u00e3o, individual, prop\u00f5e uma tens\u00e3o entre o afro e o brasileiro. Entre o preto e o branco, a transpar\u00eancia do espelho, imp\u00f5e a imagem de n\u00f3s mesmas\/os. Ningu\u00e9m \u00e9 delineado. As linhas de Thais evocam a insinua\u00e7\u00e3o do tra\u00e7o.<\/p><p>Condenadas\/os na liberdade do reflexo, nadamos em um espelho, no movimento das ondas da tela, surgimos como imagens. Um esquecimento acidental de n\u00f3s mesmos e dos outros, acontece no espelho. S\u00e3o \u201cAprox(Si)ma\u00e7\u00f5es\u201d. No brilho do abismo, surge um rosto. \u00c9 o nosso, capturado no fim do tempo. \u00c9 o jogo que Thais nos prop\u00f5e.<\/p><p>Mostrando-se, Thais esquiva sua pr\u00f3pria mem\u00f3ria. N\u00e3o a perde. A mem\u00f3ria nunca esteve presente.<\/p><p>Nessa aus\u00eancia, a po\u00e9tica de Thais desvanece o sentido da visualidade.<\/p><p>Restam os tra\u00e7os de uma est\u00e9tica que nos prende inquieta.<\/p><p>Na (ex)posi\u00e7\u00e3o de Thais, ela \u00e9 a hero\u00edna da sua hist\u00f3ria, da sua po\u00e9tica, da sua obra, como arte.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3a46965 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3a46965\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e23872a\" data-id=\"e23872a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-644a537 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"644a537\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a9c78c5 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a9c78c5\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0c240f8\" data-id=\"0c240f8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-62adc38 elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"62adc38\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInDown&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p style=\"text-align: center\"><strong>Curadoria e apresenta\u00e7\u00e3o<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2683436 elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"2683436\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInDown&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p style=\"text-align: center\">Rosa Mar\u00eda Blanca Cedillo\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1bebf4b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1bebf4b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7f22a87\" data-id=\"7f22a87\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3b5832b elementor-widget-divider--view-line elementor-invisible elementor-widget elementor-widget-divider\" data-id=\"3b5832b\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInDown&quot;}\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4541c96 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4541c96\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-ef98d2c\" data-id=\"ef98d2c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ab63be0 elementor-button-info elementor-align-center elementor-widget elementor-widget-button\" data-id=\"ab63be0\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-md\" href=\"https:\/\/www.ufsm.br\/outros-orgaos\/cc\/galeria-virtual\/aproxsimacoes\/sala-03-aproxsimacoes\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Acesso \u00e0 exposi\u00e7\u00e3o<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>A artista Thais Oliveira da Rosa nos apresenta uma po\u00e9tica intitulada &#8220;Aprox(Si)ma\u00e7\u00f5es: visualidades afro-brasileiras\u201d, no Centro de Conven\u00e7\u00f5es. Thais problematiza a no\u00e7\u00e3o de autenticidade como identidade, ao ressignificar fotografias do s\u00e9culo XIX, antepondo a sua pr\u00f3pria sensibilidade. A linguagem oscila entre a gravura e a pintura, desconstruindo a ilus\u00e3o da defini\u00e7\u00e3o. As indetermina\u00e7\u00f5es se sucedem [&hellip;]<\/p>\n","protected":false},"author":1452,"featured_media":652,"parent":631,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[54],"class_list":["post-636","page","type-page","status-publish","has-post-thumbnail","hentry","tag-aproxsimacoes"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ufsm.br\/outros-orgaos\/cc\/wp-json\/wp\/v2\/pages\/636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufsm.br\/outros-orgaos\/cc\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ufsm.br\/outros-orgaos\/cc\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/outros-orgaos\/cc\/wp-json\/wp\/v2\/users\/1452"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/outros-orgaos\/cc\/wp-json\/wp\/v2\/comments?post=636"}],"version-history":[{"count":0,"href":"https:\/\/www.ufsm.br\/outros-orgaos\/cc\/wp-json\/wp\/v2\/pages\/636\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/outros-orgaos\/cc\/wp-json\/wp\/v2\/pages\/631"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufsm.br\/outros-orgaos\/cc\/wp-json\/wp\/v2\/media\/652"}],"wp:attachment":[{"href":"https:\/\/www.ufsm.br\/outros-orgaos\/cc\/wp-json\/wp\/v2\/media?parent=636"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufsm.br\/outros-orgaos\/cc\/wp-json\/wp\/v2\/categories?post=636"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufsm.br\/outros-orgaos\/cc\/wp-json\/wp\/v2\/tags?post=636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}